Going to the movie theater should be more enjoyable than watching a movie at home??a concept that Rosebud Theater has down pat. Cinephiles regain the sparkle in their eyes as they enter the historic venue, which originally opened as The Tosa Theatre in 1931 and was recently modernized to have great views and stellar sound. Unlike cramped multiplex theaters, Rosebud houses one solitary, comfortably spaced theater, where visitors won?t have to worry about hearing explosions from the monster-truck movie next door or accidently walking into the wrong monster-truck movie.
In addition to typical movie snacks such as popcorn, candy, and soda, the Rosebud sports a full menu of appetizers, sandwiches, quesadillas, and pizza, as well as a full bar stocked with wine, cocktails, and microbrews??all of which are delivered to patrons during featured presentations. Rather than standard chairs, the theater is furnished with cushy loveseats with room for 180 movie lovers to savor first-run Hollywood hits without wrestling strangers over armrests.
At The ComedySportz Theatre, audience suggestions keep an all-ages, family-friendly and fast-paced vortex of scenes, games, and songs spinning in competitive shows that pit two improv teams against each other. Inside the intimate, 149-seat theater, spontaneity rules as a referee moderates the all-ages-appropriate hilarity pitched between the Chicago Bosses and The Evanston Express. At the end of each comedic duel, the points and audience votes are tallied to determine the winning team, sentencing the losers to feed the doves that live inside the winners' top hats.
The ComedySportz Training Center's seasoned instructors also teach six-week courses in the art of improvised hilarity and the essential virtues of spontaneity, risk taking, and engagement with the moment. Through scene work, ComedySportz games, and short- and long-form improv, students learn to keep audiences roaring in order to jump-start a career or become a more affable bank robber.
In 1947, on New York City's Park Avenue, the first Fred Astaire Dance Studio—cofounded by the eponymous toe tapper himself—opened its doors to the public. More than six decades later, now boasting schools across North America, the dancing institution still adheres to the legendary Mr. Astaire's curriculum and instruction techniques.
Specializing in social ballroom and competitive dances, the schools' current consortium of professional instructors shepherds students of all ages and skill levels through dance lessons that span from classic ballroom and foxtrot romps to the modern steps of salsa, swing, or mambo. In addition to classes, the studio hosts social practice parties where up to 40 students hone newly acquired rug-cutting capabilities. As foot-charming music blares from the speakers, instructors work to cultivate a lively social setting where each guest can dance, mingle, and surgically correct their second left foot without fear of embarrassment.
As vaudeville heaved its last breaths in the late 1920s, RKO's Riverside Theater opened in 1928 and served as a performance hall for just a few years before Warner Brothers took it over to screen their films. Decades of neglect followed, reaching a nadir in 1966 when a carelessly tossed cigarette butt incinerated the proscenium's drapery, prompting the cash-conscious owners to replace the opulent teal velour with workmanlike duvetyn. A slated demolition in 1982 nearly replaced the theater with a shopping mall before a coalition of citizens convinced philanthropist Joseph Zilber to save the space. In the subsequent renovations, craftsmen installed plush red drapery, overhauled the obsolete lighting, and repainted the faded French Baroque gilding of the auditorium, restoring the elegant space to its former glory and inspiring it to get back out on the theater dating scene.
First Stage recently celebrated its 26th anniversary as a children's theater, producing professional productions and developing new plays. It has hosted 40 world premieres and worked with renowned artists and authors including Stephen Schwartz and Cornelia Funke.
Through its theater academy and education program, First Stage aims to inspire a love of learning amongst young people with active teaching tools and a curriculum that emphasizes imagination. The theater-in-education programs reach roughly 20,000 students every year through theater residencies and in-classroom workshops such as the Bully Ban workshop, which teaches students how to respect one another and prevent harassment through improvisational exercises. Schools can also partner with First Stage to bring the arts into their facilities with field trips, workshops, and arts-integrated teaching.
Captain Frederick Pabst contributed to Milwaukee?s status as a cultural landmark of the upper Midwest by building Pabst Theater, formally known as Das Neue Deutsche Stadt-Theater, in 1895. According to legend, when he was informed that his theater had burned to the ground, the brewing magnate interrupted his European vacation to wire home the order to ?Rebuild at once!??and 11 months later, the stage was completed anew. Where the old theater honored German artists by having their names inscribed along the cornice of the auditorium, the new building featured an international consortium of cultural notables. The theater?s globe-spanning influences were made even more apparent with the installation of an Austrian crystal chandelier and an Italian marble staircase.