Among the city's best bars and nightclubs according to CityBeat's Best of Cincinnati poll, The Comet draws crowds with live music, a menu of classic Mexican favorites, and a massive selection of suds. Start a salutatory mouth soiree with a plate of nachos crowned by cheese, sour cream, black beans, and jalapeños ($7.50), or begin with a salsa sampler featuring a quartet of house-made salsas, one for each of your taste buds ($5). Like savory, soft piñatas, chicken, beef, or tofu burritos come stuffed with black and/or pinto beans, rice, cheese, and salsa ($6), and chile con queso gives tortilla chips a refreshing dairy bath in white-cheese dip ($4). A Sunday brunch starting at 11 a.m. helps give the weekend a flavorful hybrid-meal finish.
With a brand-new album in the hatch and musical muscles bulging, the platinum-selling Seattle outfit Candlebox rocks out Bogarts on its spring tour. The band first made radio waves in the early '90s with breakout hits “Far Behind” and “You,” which stayed in rotation on MTV like an overzealous Wheel of Fortune spin. The group has since persevered as a vessel of the rock ‘n’ roll spirit, rising above the grunge-rock label initially applied to it by coloring its tunes with genres such as blues and jazz. Blending time-honored chart-toppers with tracks from the upcoming Love Stories & Other Musings, Candlebox burns like a box with a candle inside in a live performance fit to thrill fresh faces and longtime fans alike. Youthful, energized, and tightly wound, Southern California’s Acidic opens the show with sturdy rock anthems played with old-pro assurance.
The Cincinnati Symphony Orchestra unites compositional elegance and mainstream melodies during a trio of Pops Series performances. In February, the renowned ensemble rummages through Disney's catalog of theatrical anthems, wrapping guests in warm quilts of nostalgia with renditions of songs from The Little Mermaid and The Lion King, while big-screen excerpts regale restless eyes. Seasoned tunesmith Ellis Hall joins the symphony in March for a one-night celebration of American icon Ray Charles, escorting concertgoers through the timeless refrains of such ditties as "Hit the Road Jack" and "I Can't Stop Loving You". Springtime marks the arrival of Grammy- and Tony-winning Broadway superstar Bernadette Peters, who helps CSO close out the season with vocal conquests that caress ears like an overly affectionate aviator cap.
Attentive staff ensure the safety and cleanliness of Jump!Zone's inflatable indoor play center, which facilitates frolicking with its moonwalks, bouncers, and giant slides for children aged 2–12. With a pass good for six open play sessions, mini humans can slip on a pair of socks and experience all eight of the facility's bouncy attractions. An 18-foot fire truck makes a great slide and provides an excellent career idea for kids who still haven't decided what they want to be, while the playplace's giant alligator and the Jurassic Adventure help grade-schoolers explore the softer side of everyday predators., Meanwhile, growing minds can strengthen problem-solving abilities and lab-rat impressions by navigating the bouncer maze. A toddler area occupies tinier hands with toys and activities, and tuckered-out tykes can set up shop at the air-hockey table, leaving their adult counterparts free to recite the periodic table of elements backward in peace.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The Human Race Theatre Company is a professional theater company dedicated to themes that encompass the human condition, shatter unexamined perceptions, and raise social awareness. right next to me, a brand-new contemporary musical written by Gregg Coffin and performed on the intimate, three-quarter thrust stage at The Loft Theatre, details a military wife's struggle to come to terms with her husband's death in Iraq. The audience watches as the widow and her brother-in-law set out to scatter her husband's ashes, with the emotional themes of love, love lost, bravery, and sacrifice examined as their quest ultimately leads them to a gratifying transformation.