At The Adventure Aquarium, patrons can not only look at sharks in a tank, but be surrounded by them. At the Ocean Realm Exhibit, great hammerhead sharks, swim through a 750,000-gallon tank, their 7-foot bodies passing all around onlookers in the 40-foot shark tunnel.
Of course, Adventure Aquarium also houses a wide variety of marine animals. Their two Nile hippos each weigh in at approximately 3,000 pounds, and their mouths can open up to four feet—enough to swallow most wedding cakes in a single bite. At the aquarium's West African River Experience, visitors marvel at these hippos as they plunge into the water and swim right up to the glass. The Jules Verne Gallery, meanwhile, houses a giant pacific octopus. This cephalopod mollusk stretches out eight tentacles, each covered in some 280 suction cups.
The Elmwood Park Zoo surrounds its guests in a microcosm of North and South American habitats. American bison roam a grasslands area, bobcats prowl over the wetlands exhibit, and bald eagles soar within the confines of Olivia's Eagle Canyon. These are just three of the roughly 300 animals that call the zoo home. In addition to frolicking across exhibit spaces, many of these creatures also interact with zoo visitors at the ZooBowl outdoor amphitheater.
One of the world's leading live-entertainment companies, Live Nation connects millions of fans to thousands of performances across the globe. Today's deal can be used for one or more selected Live Nation concerts at the open-air arenas of San Manuel Amphitheater in San Bernardino or Verizon Wireless Amphitheater in Irvine. These concerts provide fans with aural stimulation of all stripes, which fills ears more pleasantly than the aggressively atonal orchestras that roam the countryside. Upcoming concerts at the San Manuel Amphitheater include such diverse performers as Luis Miguel, Judas Priest, and Rascal Flatts, and Verizon Wireless Amphitheater’s calendar includes the Epicenter Rock Festival and Social Distortion, offering listeners a cornucopia of euphonic options.
Beneath a towering marble dome sits the 20-foot-high marble statue of Benjamin Franklin. All is quiet—until the multimedia presentation springs to life. Not content with a silent symbol, The Franklin Institute brings its namesake’s story to life with his National Memorial, complete with audio effects and dramatic lighting. Spanning three floors, the Institute gives a voice to human ingenuity—past and future—with hundreds of interactive exhibits, live science shows, a 3D flight simulator, and 4.5-story IMAX theater. Though now filled with a range of space-age attractions, the Institute began with single purpose.
Samuel Vaughan Merrick and William H. Keating established The Franklin Institute in 1824, to honor the life and achievements of Benjamin Franklin. In the following decades, the Institute hosted forward thinkers such as Nikola Tesla, who gave a demonstration on wireless telegraphy in 1893. In 1930, the board decided to expand the space into a new science museum—and raised the funds in 12 days. The museum opened to the public in 1934—and in the same year hosted the first public demonstration of an all-electronic TV system.
The Franklin Institute’s permanent exhibits now include Space Command, which invites visitors to recover an unmanned space probe and examine real astronaut equipment. At Changing Earth, visitors create their own weather patterns, play with steams of water, and build structures that can stand up to earthquakes or all-elephant 5Ks.
At various daily showtimes, the Franklin Theater’s high-contrast screen displays 3D films on animals, earth ecosystems, and human history. In the recently renovated Fels Planetarium audiences witness projections of weather and space spread across a 60-foot seamless aluminum dome.
Owner Nancy Nagle stocks a colorful rainbow of knitting supplies in her bright and eccentric gallery, which has become a go-to outlet for the local knitting community. To meet the demand, she constantly stuffs her shelves with new styles of material, ranging from traditional yarns to luxury fibers—banana, recycled silk, and Wookiee fur—to carry-along yarns with sequins, flags, and lash. Nagle’s passion for fiber arts has introduced her to a community of artists who dye and spin some of her more than 20 brands of yarn. She uses the shop as a gallery to display the work of these local artists—including Philadelphia native John Stango—as well as share her own bold collection of woven work such as hats, shawls, and sweaters.
City Paper's A.D. Amorosi describes the two-floor Nangellini as a "doubly colorful" space as "bright and open as a bay window in Sag Harbor." Amorosi admires the gallery's art collection, and between the vibrant space's "faux-tin ceiling" and "matronly rugs," Nancy leads open and privately scheduled classes on knitting, crochet, and lace work. Classes cover all the basic techniques required for newcomers to begin creating their own woven pieces, such as scarves and felt toupees.
Born out of the three core principles of public engagement, collaboration, and design excellence, the Philadelphia Center for Architecture stays true to its founding vision by connecting professionals and community leaders through activities ranging from exhibits and competitions to charitable functions and workshops. The center also reels in a wider audience with public walking tours scheduled in conjunction with the Preservation Alliance of Greater Philadelphia, revealing the secrets of some of the city’s most notable buildings with the help of trained guides. As a chapter of AIA Philadelphia, the center also hosts public forums between architects and community members, promoting dialogue about the importance of sustainable neighborhoods and the need for public spaces dedicated entirely to sack races.
Philadelphia calls Madame Saito the Queen of Sushi, and it's easy to see why. Armed with formal culinary training from Le Cordon Bleu and the Ritz Escoffier in Paris and experience from apprenticeships under premier Tokyo sushi chefs, she has committed the last 26 years to spreading her love for Japanese culture and contemporary fusion cuisine. Although she leaves time in her schedule to manage Tokio Sushi Bar—her sushi restaurant with French culinary influences—, The HeadHouse Cafe, and to conduct an annual sushi-making competition, Madame Saito counts education as one of her highest priorities. She regularly commits her quadrilingual tongue to demystifying the art of sushi during classes for aspiring chefs and casual students alike, teaching them how to hand roll maki and slice fish into perfectly uniform dodecahedrons.
Affordable art from $15 for "Vintage" Tin Signs, $39 Art Blocks and over 9000 images printed as Giclee on Canvas. These all look amazing and come ready to hang, without the need for expensive framing, matting or glass. They also ship for free. We pride ourselves in great customer service, and provide free design services!