During both 90-minute events, Rick, Corey, and Chumlee from the History Channel's Pawn Stars will reveal the inner workings of the modern pawn business as they discuss the cash values of rare and not-so-rare items that have passed through their shop on the outskirts of Las Vegas. Join the bantering trio for a night of expert appraisal, as preselected audience members bring their pawnable possessions onstage to be poked, pontificated upon, and finally price-tagged in the presence of all. To showcase your own mysterious heirloom, curious knick-knack, or commemorative plates commemorating the history of commemorative plates, send its photo and back-story to firstname.lastname@example.org, and be sure to mention the Morristown venue. Otherwise, ask questions during the Q&A session or match your value-guessing mettle against the star pawner during Are You Smarter than a Chumlee?.
Nestled in the Morris Museum, the Bickford Theatre's cast of canny actors transmits theatrics directly to each of the auditorium's 312 house seats. Their latest production, the Tony-nominated I Hate Hamlet, charts the comedic trials of protagonist Andrew Rally, a successful actor offered the chance to play Hamlet in Central Park. The leading character is haunted by his eponymous hatred for the show, and he inadvertently summons the ghost of John Barrymore, history's greatest Hamlet. The play's multifaceted plot incorporates madcap antics to generate bellowing laughter—maintaining a replay value comparable to a YouTube video of a koala sneezing and falling into a vat of flour. The Bickford Theatre produces four plays every season and hosts jazz concerts, children's theater, and performing-arts classes.
Recently opened after a complete renovation, CityPlex12 Newark fills its 12 screens with a schedule of first-run Hollywood hits. High-backed rocker chairs make up the stadium seating, while 4K digital projection allows audiences to see each and every molecule that form their favorite star’s face. The centerpiece of the complex is its Shaq*DX theater, equipped with a towering 47-foot screen and Dolby Digital 7.1 surround sound.
Playwrights Theatre stages productions of up-and-coming plays each year through its New Play Development program. The 2010–2011 season keeps the theatre's long-standing commitment to fresh ars theatrica with three works: Lost Boy Found in Whole Foods by Tammy Ryan, MoM A Rock Concert Musical by Richard Caliban, and Across the Wide and Lonesome Prairie by Julie Jensen. Your season subscription to Playwrights Theatre entitles you to view all three performances, receive a 50% discount on two tickets for family or friends, gain admittance to opening-night parties, and attend post-show talkbacks about new-play development and the inside story on plays. You'll also receive a pass to the FORUM staged reading series, enough to attend a reading of each of the series' 13 new plays and discuss the material with artists in an intimate setting.
Arthur Murray Dance Studio has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and the Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, the Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired up with other classmates as the instructors assess their current skill level and make recommendations on the most appropriate program. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
During the past 25 years, Brian and Jenny Nash have taught all sorts of people to dance. They've coached members of the New Jersey Philharmonic Orchestra for fundraising balls and helmed the Rutgers University collegiate dance program. At Nash Dancenter, they guide students through the simple sway of foxtrot and the trumpet-backed scintillation of salsa. A team of instructors aids them, drawing upon experience in national competitions and a love of the famous dance scene in Jaws. The studio in which they teach is an airy, 8,000-square-foot ballroom with french doors, sweeping window arches, and glistening chandeliers. During dance socials, guests look into the impressive chamber from a balcony, watching twirls and tango steps below.