Bravo hits the road with reality-television powerhouses, delivering an interactive Real Housewives gathering at the Horseshoe Casino’s spacious venue. Four Real Housewives from four cities—Sonja from New York City, Gretchen from Orange County, Kathy from New Jersey, and Phaedra from Atlanta—discuss their most talked about on-screen moments, answer audience questions, and share cast secrets, such as pressing gossip and gym-locker combinations. Orchestra seats place reality-television junkies in the middle of the venue and the VIP-ticket seats guests in the first 10 rows. In addition to up-close viewing, the VIP ticket includes an exclusive reception hosted by The Real Housewives with cocktails and hors d’oeuvres, a separate red-carpet entrance to the venue, and a limited-edition tour laminate with matching lanyard. Attendees must be over 21 or a master of fake mustaches to participate in the Red Carpet package.
Generation gaps call an evening-long truce to absorb the electric harmonies and magnetic energy of legendary rock bands Def Leppard and Heart. Def Leppard began its ascent to British hard-rock royalty in 1977, solidifying its reign with the 1987 multiplatinum album Hysteria and its iconic anthems "Love Bites" and "Armageddon It." Its latest tour stokes nostalgia and then pours sugar on it, with library classics giving way to singles such as "Undefeated" from the forthcoming Mirror Ball – Live & More album. Heart frontwomen Ann and Nancy Wilson add to the aural carnival with sisterly harmonics and guitar-wrangling routines developed over more than 30 years onstage. Revelry-inducing '70s hits "Barracuda" and "Crazy on You," along with soul-clutching '80s power ballads "Alone" and "What About Love," embody the decades whence they came while continuing to forcefully knock the socks and toenail polish off rapt concertgoers.
Team USA vs. The World may sound like the title of Shaquille O'Neal's autobiography, but it is in fact a mixed martial arts competition that pits 12 of this country's finest mixed martial arts athletes against teams of fighters from Australia, Ireland, and Poland. Stuff your pockets with miniature American flags and gird your thrillcitement nodes for an evening of leg tussles, arm bars, and rear naked chokes. With ground-floor seats, you'll be close enough to see the beads of sweat on the fighters' brows and smell the adrenaline puffs as they condense into clouds shaped like clenched fists in the air above the ring. Fighters scheduled to battle for Team USA include John Hansen (205 lbs.), the 2008 USA National Champion in the LHW Division, Alex White (155 lbs.), who won in the 2009 Ringside World Boxing Championships, and Eric Daigle (155 lbs.), who obtained the lightweight title during the ISCF National Tournament in 2009.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.
Founded in 1997 by inventive Chicago artist Sean Graney, The Hypocrites curates unorthodox theatrical endeavors with inimitable panache and an underlying emotional vulnerability. Praised by the Chicago Sun-Times for its propensity to “never do things the expected way,” The Hypocrites have applied its unconventional approach to classic texts such as The Threepenny Opera, Frankenstein, and Kafka's The Trial. Throughout the years, these productions have earned the company a trophy case of Joseph Jefferson citations, as well as an After Dark Award and a letter of recommendation from Shakespeare’s great-great-great-great grandfather.