Eat|See|Hear offers an unparalleled outdoor movie experience by screening new and classic films in HD on an inflatable, wrinkle-free projection screen standing 3.5 stories tall and 52 feet wide. Using a 30,000-watt sound system, each venue is custom-calibrated to ensure a decibel-appropriate listening experience for audiences lounging on blankets or in lawn chairs. Local food trucks remain onsite during events to dish out cuisine, and pre-film performances by up-and-coming bands get audiences pumped up and help loosen any cobwebs built up inside the ears.
The cozy confines of this 721-seat theater welcomes two shows to its recently renovated stage. Musically induce mind travel with a listen to Swingin' the Benny Goodman Songbook, a revue of 1930s jazz standards made famous by the King of Swing. Starring jazz vocalist Terry Blaine, pianist Mark Shane, and clarinetist Allan Vaché, the classic tunes may induce jumping, jiving, and surprise visits from bootlegging ghosts.
Judas Priest, the influential English rock band that helped define heavy-metal culture, crescendos a globetrotting career on its farewell Epitaph tour. After nearly four decades of shaking Hades's chandeliers with defibrillating beats, jackhammer guitars, and vocals that earn restraining orders from glass, the crew of Judas Priest is revving through one last career-encompassing victory lap, leaving no head unbanged before hanging up its chaps. Singer Rob Halford hits and holds nearly unattainable notes in anthems that may include "Breaking the Law," "You've Got Another Thing Comin'," or "Mary Had a Little Lamb.” Gracing the stage in the open air of the amphitheater, legendary ax-grinder Zakk Wylde leads Black Label Society through a parade of questionable lullabies, and the boisterous lads of Thin Lizzy pump out hits that encourage inter-office dating at classic-rock stations.
When barbecue-chicken sandwiches, teriyaki burgers, and a bunch of beef tacos washed up on Margarita Beach, the clouds began hurling large beerdrops earthward and the breeze blew away the sand to reveal a dance floor. Soon, DJs and bartenders flocked to the site, bringing with them stories of ‘80s-themed parties, beer pong, more beer pong, and Fist-Pumpin’ Fridays that quickly attracted crowds of people hungry for food and entertainment. TVs eventually got wind of all the excitement. So, they packed their vacuum tubes and flew in with visions of UFC fights and college sports. To this day, partiers still take in the open air on a patio that a nameless sailor left behind, feeling the delicious weight of turkey hoagies in their hands, thanking heaven for quesadillas, buying cocktails for pictures of bikini-clad models, and then watching the stars sputter out when Margarita Beach’s clock strikes 2 a.m.
Arthur Murray Dance Studio has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and the Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, the Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired up with an instructor as the teachers assess their current skill level and make recommendations on the most appropriate program. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.