When the Joslyn Art Museum opened in 1931, more than 25,000 people lined up to see the exhibits. It had taken three years of construction and $3 million to create the splendid art-deco building, which was inlaid with more than 38 types of marble imported from around the world. The force behind this enormous effort was philanthropist Sarah Joslyn, who had the building built in honor of her late husband. But instead of standing front and center, Sarah quietly mixed in with the crowd. "I am just one of the public," she said to people who recognized her.
Sarah truly viewed the museum as a gift to the people of Omaha. And for more than 80 years, they've cared for it like one. With the 58,000-square-foot addition addition of the Walter & Suzanne Scott Pavilion, a sculpture garden, and other enhancements, the museum has grown with time. Visitors today find more than 11,000 works of art inside, with collections and exhibitions that include pieces of ancient Greek pottery, Renaissance and Baroque paintings by Titian and El Greco, and Impressionist works by Camille Pissarro, Pierre-Auguste Renoir, and Claude Monet.
After admiring the peasant portraiture of 19th-century French realist Jules Breton, guests can cartwheel over to a collection of 18th- and 19th-century American artwork, which includes portraits by James Peale and landscape images by Thomas Cole. Pieces from the 20th century from artists such as Grant Wood transition visitors into viewings of more contemporary works or attempts to find a 3-D Magic Eye picture in Jackson Pollock's Galaxy.
Angie Lewis never considered herself an artist. When she first began dabbling with paint, she found herself overwhelmed by choices. After fretting over what paintbrush to use and what brand of paint to buy, she eventually gave up and stuffed her art supplies—and her creativity—in the back of her closet.
They remained there until one day, while visiting friends in Denver, Angie attended an "entertainment-style" art class. It had music, wine, and a casual "it's OK to mess up" vibe, and Angie knew she just had to bring the concept home with her to Nebraska. And thus The Corky Canvas was born, a place where friends and artists of all skill levels gather with paintbrushes in one hand, and wine glasses in the other. At two Corky Canvas locations, Angie and her team of instructors lead groups through nightly featured painting, private parties, team buildings, and more. Painters are always welcome to change the colors of their class's suggested design, or to even paint something new entirely, following the whims of their creative spirits.
Sugar Clay owners, vintners, and winemakers Frank and Amy Faust shake up palates with handcrafted pours and other treats during tastings. Visitors can choose from nearly a dozen releases for their two full pours (up to a $10 value) and discounted bottle, such as a clean, pineapple-kissed German-style edelweiss with a light caramel finish, Sugar Clay's most popular white ($16/bottle). The Faust Haus Rosa, a catawba grape nostril-wowwer, starts with a bouquet of strawberries and roses and ends with hints of spices and future honeymoons ($13/bottle). Bandana Red, the winery’s dark star, soothes mouths with a velvety mélange of deChaunac and marechal foch grapes and notes of dried cherries and blackberries ($15/bottle). A tray of gastro-intelligent bites, with ham, salami, cheeses, veggies, and french bread, complements the day’s toasts (an $11 value).
Trent Meyer and Derek Bergman are committed members of the United Methodist Church, and sometimes choose to practice their faith through tree climbing, zip lining, swimming, and laser tag. They direct the Methodist-run Camp Fontanelle, a year-round outdoor camp sprawled across more than 180 wooded acres of donated land. Both Trent and Derek draw from backgrounds as campers—and Trent from six years as a teacher—to lead summer camps for preschool through high-school students. They lead a team of camp counselors who coordinate harnessed-rope tree climbing, activities on low-ropes courses, archery lessons, and outdoor laser-tag matches.
They also draw visitors at different times of year with water slides, a 35'x65' jumping pillow and bounce houses, a petting barn filled with alpacas and goats, and pony rides. During the autumn-harvest season, they unveil the annual theme of a 10-acre corn maze filled with 5 miles of trails. A 3-acre pumpkin patch contains small and large carving pumpkins, gourds, mums, and Indian corn, which visitors can harvest and stuff into a large, horn-shaped wicker basket.
In the days before kegs and bottles, beer enthusiasts would have to cart a bucket to their local brewery, fill it up, and carry it (gently) home. Lucky Bucket Brewing Company pays tribute to brewing history both in its name and its traditional brewing techniques.
Lucky Bucket’s flavorsome creations are crafted inside an 18,000-square-foot brew house. Gleaming silver tankards give birth to bottles of a pre-Prohibition-style lager, a pleasantly floral IPA, and the dark, malty imperial porter Certified Evil.
The facility operates a craft brewery, as well as Nebraska's only craft distillery, which turns out hand-crafted spirits such as Cut Spike Single-Malt Whiskey and Cut Spike Premium Vodka. The distillery ages it's whiskey for two years in brand new American oak barrels.
Named for the terroir in which its grapes flourish, Glacial Till Vineyard's rocky mineral-rich soil is home to nine varieties of French-American red and white grapes that grow ripe on the vine across gently sloping hills. Those grapes are crushed, pressed, and eventually transformed into handcrafted wines, including a smooth and dry Chambourcin; the semisweet and fruity Edelweiss; and the bright, springy Frontenac Rose. At the beautiful off-site tasting room, visitors can take a seat at a café table or along the bar to enjoy sips of all of Glacial Till's wines, which can also be ordered by the glass or bottle.
Discover places for tours, attractions and things to do.