When Joslyn Art Museum opened in 1931, more than 25,000 people lined up to see the exhibits. It had taken three years of construction and $3 million to create the splendid art-deco building, which was inlaid with more than 38 types of marble imported from around the world. The force behind this enormous effort was philanthropist Sarah Joslyn, who had the building built in honor of her late husband. But instead of standing front and center, Sarah quietly mixed in with the crowd. "I am just one of the public," she said to people who recognized her.
Sarah truly viewed the museum as a gift to the people of Omaha. With the 58,000-square-foot addition of the Walter & Suzanne Scott Pavilion, a sculpture garden, and other enhancements, the museum has grown with time. Visitors today find more than 11,000 works of art inside, with collections and exhibitions that include pieces of ancient Greek pottery, Renaissance and Baroque paintings by Titian and El Greco, and Impressionist works by Camille Pissarro, Pierre-Auguste Renoir, and Claude Monet.
After admiring the peasant portraiture of 19th-century French realist Jules Breton, guests can cartwheel over to a collection of 18th- and 19th-century American artwork, which includes portraits by James Peale and landscape images by Thomas Cole. Pieces from the 20th century from artists such as Grant Wood transition visitors into viewings of more contemporary works or attempts to find a 3-D Magic Eye picture in Jackson Pollock's Galaxy.
Angie Lewis never considered herself an artist. When she first began dabbling with paint, she found herself overwhelmed by choices. After fretting over what paintbrush to use and what brand of paint to buy, she eventually gave up and stuffed her art supplies—and her creativity—in the back of her closet.
They remained there until one day, while visiting friends in Denver, Angie attended an "entertainment-style" art class. It had music, wine, and a casual "it's OK to mess up" vibe, and Angie knew she just had to bring the concept home with her to Nebraska. And thus The Corky Canvas was born, a place where friends and artists of all skill levels gather with paintbrushes in one hand, and wine glasses in the other. At two Corky Canvas locations, Angie and her team of instructors lead groups through nightly featured painting, private parties, team buildings, and more. Painters are always welcome to change the colors of their class's suggested design, or to even paint something new entirely, following the whims of their creative spirits.
Twelve years ago, Frank and Amy Faust bought a 6-acre plot of land in the Loess Hills countryside with the intention of building themselves a log cabin. Instead, they found themselves sidetracked by a new dream—starting a winery. At Sugar Clay Winery, the Fausts now produce up to 10,000 gallons of wine each year, yet, as they told KETV-7, they still take the time to cork each bottle by hand. Visitors can introduce themselves to 14 of Sugar Clay’s proprietary varietals in the tasting room, such as the sangria-esque Loess Hills blush or a four-grape ambrosia blanc whose flavors morph from apple to butterscotch and almond with each sip. Outside, shaded decks house guests peering out on views of sloping valleys soundtracked by a chorus of birds hiding among the surrounding cedars. A fire pit warms sippers during crisper nights or on afternoons when a tour group of refrigerators shows up, and live musicians fill the air with notes from dulcimers and acoustic guitars.
Trent Meyer and Derek Bergman are committed members of the United Methodist Church, and sometimes choose to practice their faith through tree climbing, zip lining, swimming, and laser tag. They direct the United Methodist-run Camp Fontanelle, a year-round outdoor camp sprawled across more than 180 wooded acres of donated land. Both Trent and Derek draw from backgrounds as campers?and Trent from six years as a teacher?to lead summer camps for preschool through high-school students. They lead a team of camp counselors who coordinate harnessed-rope tree climbing, activities on low-ropes courses, archery lessons, and outdoor laser-tag matches.
They also draw visitors at different times of year with water slides, a 35'x65' jumping pillow and bounce houses, a petting barn filled with alpacas and goats, and pony rides. During the autumn-harvest season, they unveil the annual theme of a 10-acre corn maze filled with 5 miles of trails. A 3-acre pumpkin patch contains small and large carving pumpkins, gourds, mums, and Indian corn, which visitors can harvest and stuff into a large, horn-shaped wicker basket.
Winery owners Randy, Kelly, and Nate Meyer are so passionate about winemaking that they've designed their entire vineyard to symbolize it—each phase of the buildings' architecture reflects a different step in the winemaking process. A planter crafted from locally harvested limestone marks the entrance to the winery and supports arbors symbolizing trellised grape bushes in the vineyards. The arbors extend through the earth-toned Chancellor Hall, where a towering cathedral ceiling laced with heavy beams can shelter more than 200 guests at once. Inside, light streams in through towering windows overlooking the vineyard, as well as through heavy double doors leading out to a patio and courtyard, where the same arbor continues to form a roof and shield wines from straw-wielding helicopter pilots. Outside, 16 acres of vineyards house rows of Midwest varietals such as Vignoles, St. Vincent, Frontenac, and Catawba. Staffers pluck vines entwined on trellised rows and carry their bushels into a processing building, where they unload pounds of fruit into imported presses and custom-made fermentation tanks. These grapes age into wines in a room designed in the shape of a barrel, which represents the winemaking and fermentation process as well as the winemakers' fear of being trapped inside a barrel. The Meyers also use the wines in these barrels to reflect their love for the region; they've named many of the dry and semidry wines for weather phenomena associated with Tornado Alley.
In the days before kegs and bottles, beer enthusiasts would have to cart a bucket to their local brewery, fill it up, and carry it (gently) home. Lucky Bucket Brewing Company pays tribute to brewing history both in its name and its traditional brewing techniques.
Lucky Bucket?s flavorsome creations are crafted inside an 18,000-square-foot brew house with a friendly and familial atmosphere. Gleaming silver fermenters give birth to bottles of a pre-Prohibition-style lager, a pleasantly floral IPA, and the dark, malty imperial porter Certified Evil, and a revolving lineup of their locally-made beer is on tap, featuring the Single Batch series.
The facility operates a craft brewery, as well as Cut Spike Distillery which turns out hand-crafted spirits such as Cut Spike Single-Malt Whiskey. The distillery ages it's whiskey for two years in brand new American oak barrels.