Since the Flahertys opened Arden Bowl in 1938, it's grown to become a beloved component of the Twin Cities culture. So much so, that it's gaining national renown. Thrillist featured Flaherty's on their 2014 list of America's Best Banquet Bars, a status they defined as "a neighborhood institution that serves as a living, breathing part of its community ... something much more valuable than just a place to pull up a stool."
That might be one of the reasons families love going to Flaherty's for bonding time, whether during regular open play or family bowling clubs. But beyond family fun, Flaherty's also offers plenty of time for league bowling, lessons, and doubles events. And if the lanes are full, there's plenty happening in the onsite pub and grill, too. Trivia and bingo are two of the bar's big mainstays, and hungry diners can fill their bellies with burgers or Irish stew. You can even stop in for breakfast, since apparently people get hungry in the morning too these days.
Zero Gravity Trampoline Park thrills visitors with an arena whose walls and floor are composed of 11,000 square feet of trampolines for flipping and turning airborne somersaults. On the dodge-ball courts?one of which can be rented for private parties?jumpers pelt each other with balls as the trampolines add a vertical component to a classic game. Meanwhile, basketball hoops set at different heights let visitors possessing all types of hops showcase their dunks, and a tot spot separates youngsters from their more mature counterparts. Lockers safeguard valuables during jump visits, and guests can take breaks in the Gravity Lounge, which is outfitted with vending machines and WiFi connectivity.
It's not everyday you see a brown raccoon on roller skates being chased by a group of children. Unless, of course, you're a regular at Cheap Skate. The shop's mascot, Ricky the Raccoon, has been known to take to the rink during some of the rink's special skating events, which include weekly all-you-can-eat pizza nights and family skate sessions. The calendar also offers plenty of open skate sessions so families can fit in a few laps around the rink at a time that works best for them. And, between spins, skaters can head to Cheap Skate's snack bar where they can fuel up with a warm snack, sip on a refreshing beverage, or rest their feet to ensure toes can still text on the way home.
Private parties available on Monday, Wednesday and Sundays, call for reservation details.
In 1879, a lumber baron named Thomas Barlow Walker built an extra room onto his house. He mounted his 20 favorite paintings on the room's walls and opened it to the public. This private collection transformed into a public gallery with the founding of Walker Art Center in 1927. Over the following decades, the center's staff amassed a collection focused on modern art, gathering works from Pablo Picasso, Henry Moore, and Alberto Giacometti. Today, this permanent collection has expanded to encompass more than 11,000 modern and contemporary paintings, sculptures, and photographs, more than 800 film pieces, and more than 1,200 artists' books.
In the whimsical multistory geometric helix of the Barnes building, seven cube-shaped galleries radiate from a central core on terrazzo floors and under lofted ceilings. Docents lead group tours through the galleries to see rotating exhibitions or play hide-and-seek with Jackson Pollock. Current exhibits have explored the contemporary still photography of Cindy Sherman, American avant-garde film from 1960 to 1973, and prints, paintings, and sculptures produced after 1989. Inside the museum's social spaces, docents also host artist talks, film screenings, and open houses.
Designed as a contemporary twist on old European opera houses, the center's McGuire Theater draws visitors into its intimate space for live dance, theater, and music performances as well as performance art. Museum exhibits and events also spill outside to a central square and the four quadrants, bordered by granite and evergreen hedges, of the Minneapolis Sculpture Garden. As visitors walk across its lawns, they can glimpse iconic modern sculptures, cross a 375-foot steel-and-wood footbridge, or watch staff teach plants to paint in the Cowles Conservatory.
Originally the home of the Dakota and Ojibwe, Hennepin County began with the hopes and dreams of immigrants, New Englanders, and retired veterans. Why these entrepreneurs, farmers, laborers, craftsman, and vacationers decided to settle in what seemed to be a frigid, uninhabitable land is still a mystery, but their innovations and lineage are traced through the exhibits at Hennepin History Museum. The museum, located inside the historic George Christian mansion, hosts rotating exhibits and permanent collections that paint a picture of Midwestern life in the 19th and 20th centuries. From more recent decades, there are objects from Minneapolis Aquatennials and high-fashion clothes from downtown department stores such as Dayton's and Young-Quinlan. The Pillsbury Doughboy presides over it all, reminding guests of the importance of milling to the region's history.
Photographs, personal papers, and atlases round out the collection, whose contents are further illuminated during the museum’s frequent events. Experts and authors, for instance, deliver talks in the museum’s intimate fireside room, whose fireplace keeps guests warm and prevents them from huddling in the museum's historical bear-skin rugs. In another tucked-away area, researchers and amateur historians pore through the material in the library, which is open to visitors 5 days a week, and in the archives, which is open by appointment. They might find maps of the region from the start of the 20th Century or old pictures of homes in the neighborhood, all steeped in memories and history.
When the Minneapolis Institute of Arts first opened its doors in 1915, it was the product of several decades of arts advocacy. A group of 25 citizens formed the Minneapolis Society of Fine Arts in 1883 with the goal of giving their community access to creative arts. More than a century later, this commitment to the community has taken the permanent collections from 800 works to close to 80,000 objects and has made the museum Minnesota's largest art educator.
The collections, divided into seven curatorial areas, encompass a period of 5,000 years and hail from every corner of the world. The Asian Art collection represents 17 different Asian cultures, and Arts of Africa and the Americas holds more than 3,000 pieces of sculpture, basketry, painting, and beadwork. Temporary exhibitions bring collections of artwork from other institutions. The museum's interactive learning stations supplement understanding of topics such as modernism or 17th-century European painting with animation, video, and audio recordings.