Symphony in Marble Hill

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In 2004?on a mission to bolster its community?s wellspring of creativity and education?the nonprofit Bergen Performing Arts Center took over the former John Harms Center, an art-deco-style movie and vaudeville palace built in 1922. Today, in the same antique theater where Frank Capra screened his first car chase, the venue hosts 150 yearly events that bring dance, music, and theatrical productions to an estimated 250,000 annual audience members. Networks such as HBO, PBS, and MTV all have filmed international broadcasts on the stage, which has seen the likes of Diana Krall, Heart, and ZZ Top.

30 N Van Brunt St.
Englewood,
NJ
US

Experience the exciting rhythms of the ancestral Taiko and the magical sounds of the bamboo flutes. Taikoza uses the powerful rhythms of the Taiko drums to create an electrifying energy that carries audiences in a new dimension of excitement. Taikoza draws from Japan's rich tradition of music and performance.

2537 Broadway
New York,
NY
US

The Chamber Orchestra of New York preserves ancient music with a repertoire of rarely performed gems enacted by an ensemble of young professional musicians. Set in the acoustical sweet spot of the landmark Church of St. Jean Baptiste, the Music Under the Dome series continues with "Baroque Garden of Roses," an aural smorgasbord of rediscovered suites and oratorios to satisfy casual classical fans and hardcore musical archeologists alike. Gustav Holst’s bouncing St. Paul Suite starts the show, followed by Edward Elgar’s Sospiri, an evocative, sentimental piece. Next, organist Kyler Brown premieres Respighi’s Suite for Organ and Strings, a lost composition recently discovered in aisle three of an underwater Walgreens. Mr. Brown, The Virgin Consort, and the Chamber Orchestra then hold hands with Maestro Di Vittorio to unveil "The Garden of Roses," a hot-off-the-presses oratorio by Alessandro Scarlatti. Endorsed by Italian mezzo-soprano superstar and notary public Cecilia Bartoli, the madrigal-like arias of "The Garden of Roses" envelop audiences in waves of ethereal vocals.

184 East 76th Street
New York,
NY
US

The American Classical Orchestra safeguards the repertoire of 17th- to 19th-century composers, escorting venerable works into the future upon the notes of original and reproduction period instruments. Under the direction of Maestro Thomas Crawford and his onstage airboat, the ensemble's production of Wind Power breezes across Bach's Brandenburg Concerto No. 4, Vivaldi's Concerto for Two Trumpets, and Telemann's Concerto in D, featuring dynamic and energetic Mexican recorder guru Horacio Franco. A pre-performance lecture at 7 p.m. offers to warm up ears with toasty educational tidbits. Mezzanine and balcony seating grants guests unobstructed views of the action inside the NYSEC Hall, which harbors more than 100 years of history within its storied walls.

133 W 70th St
New York,
NY
US

Concertante spreads the up-close thrill of chamber music throughout the country with accessible arrangements of classic and modern works. As listeners settle into the Rose Lehrmen Arts Center's intimate concert space with no seat farther than 45 feet from the stage, the program kicks off with Czech composer Erwin Schulhoff's String Sextet, lacing modernist moves with rapidly changing rhythms and off-kilter melodies inflected at various points by jazz and dance modes. A spooky andante makes listeners check for under-seat monsters before spidery pizzicato punctuates a return to up-tempo fireworks. Commissioned by Concertante, Gabriela Lena Frank's Hypnagogia for String Sextet re-regulates pulses as it evokes the experience of falling asleep with an aural atmosphere noted by the New York Times for its "laconic, easy-to-follow simplicity."

129 West 67th Street
New York,
NY
US

Made by the famed Italian Guarneri family of luthiers in 1743, the Bonjour violin comes to life today in the hands of master violinist Vadim Repin. The Russian virtuoso coaxes heart-tugging tones from the gorgeous wooden body of the violin—whose acoustics have blossomed along with its value over the years—as well as the radio receiver inside the instrument. Praised for his "unshakable bravura" by the New York Times' Steve Smith, Repin drives the instrument with a muscular, energetic style.

1943-1963 Lincoln Sq.
New York,
NY
US