Jump to: Reviews | Music is Real Music skeptics believe that there is no such thing as music, and the human ear is actually sensing simple vibrations in the air—no more real than radio signals or Santa Claus’s legendary evil twin, Monto.
Designated a city landmark in 2008, Webster Hall was named Nightclub of the Year in 2011 by Nightclub & Bar magazine and called the “jewel of the Village” by Nobel laureate Eugene O’Neill. First opened in 1886, its iconic framework has hosted such major acts as Prince and Mick Jagger, and served as a speakeasy, a lecture hall, and a mentor to troubled teenage buildings. Today, live shows performed by stars such as Kanye West and Alicia Keys take place in the Grand Ballroom, which is equipped with state-of-the-art acoustics and cutting-edge audio-visual equipment. In addition, the venue hosts weekly dance-club nights, the official NYC Halloween Parade Afterparty, and an annual New Year’s Eve Ball.
Kenneth Donald Rogers—an American country-music star, photographer, producer, actor, and fellow with a nice beard—has won three Grammys and more than a dozen American Music Awards for his sweet, stirring crooning. Though he won't be toting his dozens of awards, Mr. Rogers will be bringing an impressive showcase of selections from his extensive collection of country hits. To prep the crowd for the main event, The Herndon Brothers—a local act lead by Ray Herndon, a country star known for livin' the dream—will layer the crowd in hometown vibes from their wide library of inspiring and honest tracks.
For more than half a century the American Symphony Orchestra has hewn to founder Leopold Stokowski's original vision: "to offer concerts of great music within the means of everyone." That means its shows aren't just financially affordable, they're also demystified by conductor lectures and never held inside biodomes. In recent years, the organization has added a new facet to its time-tested strategy: curated concerts built around a theme. Shows might explore a particular place and time, examine a literary motif, or delve into the interaction between music and visual art. This strategy has attracted a lot of attention, and not just from audiences: such greats as Yo-Yo Ma, Deborah Voigt, Sarah Chang, and Carnegie Hall's mask-wearing Phantoms of the Barbershop Quartet have all vied to play with the Orchestra.
The Midwest Rock-n-Roll Express smuggles arena legends Styx, REO Speedwagon, and Ted Nugent into the great outdoors of the Greek Theatre with an inestimable cargo of sing-along classics. Styx has sparked the third rail since 1972 with prog-rock sensationalism, bolstering lighter-fluid epics such as "Come Sail Away" and "Babe" with complex riffs from crystalline synthesizers intertwined with power-chord crescendos and noodling from guitar giant Tommy Shaw. With founding frontman and falsetto specialist Kevin Cronin at the helm, fellow Prairie State juggernaut REO Speedwagon fills the stage with passionate chartbusters that made waterbed salesmen rich, from romantic ballads such as “Keep On Loving You" to the spurned-lover kiss-off "Take It on the Run." Kicking off the show, "Motor City Madman" and expert game hunter Ted Nugent revs his buzzsaw guitar through classics such as "Cat Scratch Fever" and "Stranglehold," all while protecting the audience from wild boars.
Classical favorites and the premiere of modern compositions fly from the fingers of acclaimed pianist Jenny Q Chai, who scooped first prize for solo contemporary piano at last year’s Keys to the Future festival. At Carnegie Hall, she'll revisit the Ligeti étude that carried her to victory in a performance the New York Times acclaimed for its “rich tone and rhythmic clarity.”