Since Barbara McNulty founded her school in 1971, it has expanded to 18 state-spanning locations where beginning and advanced students learn the ins and outs of Irish dancing. McNulty herself is certified to teach Irish step solo, figure, and ceili dancing, and instructors lead a host of solo and team lessons to accommodate different ages or experience levels.
For Urban Beat Dance founder Shannon Murray, dancing is much more than a passionate pastime. She earned a BA in Dance Administration and Teaching, and illuminated the path towards fleet-footendess for 15 years in both Chicago and Los Angeles. Having performed at concerts and in music videos, Shannon’s diverse dance experiences help her lead a staff of experience dancers. Instructors guide students toward their individual dance goals, whether they want to join an international ballet company or simply learn sashays and pirouettes to perform during jury deliberations.
Teaching hips to swivel to new circumferences, dance instructors impart their masterful moves unto students in the respected tradition Arthur Murray has upheld since 1912. Students dance with a partner, or the instructor, who provides a greater understanding of the dance style of their choosing with either method. Protégés may find their new moves applicable in a number of settings, such as when prepping for a wedding dance or blending into an airport crowd that breaks out in a cha-cha. Embodying the three-count time of a stately waltz brings partners in close; rumba moves and swing steps add vibrancy and playfulness to one’s repertoire. Arthur Murray Dance Centers provide a warm, aesthetically sound environment for engaging in private and group dance lessons superbly suited to slicing and dicing a rug until it is no longer recognizable.
Since 1976 students have taken Ballroom, Latin, Salsa, Tango and Swing classes at our schools. We are honored by our recognition from Chicago Magazine for ‘Best Dance Lessons’ and our A+ rating from the Better Business Bureau, but most importantly for the many students who have discovered how easy it is to dance.
After more than a decade spent establishing an innovative contemporary dance company in Santa Fe, Foster Dance Studios founder Ronn Stewart has touched down once more in a studio beside the Foster Purple Line stop. As the flipside of training the pros of the Joffrey Ballet, Stewart stretches an artistic arm toward as wide a student base as possible with his trademark MoPeD—or More People Dancing—curriculum. Exercises designed to develop rich internal imagery and a strong connection to one's body bear fruit in fluid, aerobic movements that spring from within each student. The center's inclusive philosophy extends to Everybody Move classes, where young children develop motor skills that go beyond racecar imitation by twirling scarves in the air, bouncing balls, and playing musical instruments. The newly constructed studios also find room for Gyrotronic fitness classes and dance schooling in nearly every established mode, along with vivid abstract art accidentally produced by a dancer in a just-painted tutu.
Putting together 200 burlesque shows in four years takes heartfelt dedication and an inordinate supply of pasties. For Vaudezilla founders Red Hot Annie and Dick Dijon, it was a dream come true. Their saucy theatrics have entertained audiences all over Chicago with monthly shows such as "Lincoln Fair" and the long-running, critically acclaimed burlesque parody of The Big Lebowski, which received four-star acclaim in Chicago Stage Review. The crew at Vaudezilla has also worked to innovate the art form, assembling live-band burlesque shows and story-based burlesque theater at Stage 773. In 2011, Vaudezilla opened its Belmont Avenue studio, where professional and amateur performers rehearse for shows, take belly-dance and Zumba classes, and learn the art of burlesque, which was perfected decades ago by 20th-century sex symbol Burl Ives.