At Wayne's Keyboard Studio, the emphasis is on recreational music making as opposed to classical training. During social group classes, new musicians, including kids and adults, learn the songs that they actually want to play by picking up skills such as reading music. Students don't have to worry about bringing their own instruments, as the studio provides keyboards, pianos, and organs to tickle.
Musikgarten classes elevate kinesthetic, logical, spatial, and social intelligences through musical instruction to children ages 3 months to 10 years. Each course responds to the developmental needs of a particular age group, with activities and acquired skills becoming more complex as classes ascend in age group. Family Music for Babies (ages 3–16 months) engages an adult and infant with 30–35 minutes of bouncing songs, dancing, and playing simple instruments. Curiosity curdles in amateur earthling brains and a foundation for future musical exploration is set during the Cycle of Seasons course, where children 3-1/2 to 5 years of age flirt with the foundations of rhythm and tune, coddle concentration skills, and garner the ability to self-express through sound waves. The Young Musician and Piano class, for ages 4-1/2–6 and 7–10 respectively, focus on symbolic thinking, memory, and listening acuity, and run for 55–60 minutes or until the first prodigious rock opera has been composed.
We are a deep-discount music company carrying, servicing and repairing a full line of musical instruments on our premises. We sell these instruments through our store in LaPorte, Indiana, our Ebay Store, and our online music store . We also offer music lessons and carry instrument parts.
There’s a simple reason why students never encounter sheet music at The Michigan Irish Music School: to owner and instructor Tim Huston, sheet music is boring. It's also rigid, he says, forcing musicians to follow an absent composer's notes and annotations rather than the rhythms and cadences of their fellow musicians strumming and drumming alongside them.
Instead, Tim and the school’s other instructors break down reels and jigs piece by piece, teaching students musical themes and patterns that pop up in the most celebrated of Irish folk tunes and international whale calls. In doing so, students devote their energies to the primitive fun and excitement of music making.
The diversity of instruments in a single class also adds to the social experience, with students coaxing sounds from fiddles, flutes, tin whistles, accordions, and mandolins. At the end of the year, they showcase their talents in a recital in front of friends and family, adding the energy of the audience for what the Irish might call a true session.
Originally founded in 1957, Old Town School of Folk Music teaches and facilitates performances of arts rooted in the traditions of diverse American and global communities. More than 700 accredited music, dance, theater, and visual-arts courses expand the cultural horizons of students of all ages and abilities, and more than 300 concerts and events reach more than 200,000 audience members every year.
Founder Frank Hamilton hoped that through his nonprofit academy "teacher and student would be partners in learning." Today, the school continues that tradition, fostering supportive learning environments that draw from an accessible education model. The school also presents performances by internationally known touring artists and Chicago's local artists—as well as its own staff and students—nearly every weekend, with free world-music concerts on Wednesday nights. Old Town School operates three facilities in Lincoln Park and Lincoln Square, including one 425-seat and two 150-seat concert halls, 64 classrooms, two music stores, a café, and a resource center.