Every Friday and Saturday night as the light begins to fade, cars cruise through the dusk into an empty field, where images begin to flicker on the giant screen at Hathaway’s Drive-In Theatre. Moviegoers prepare for double features of new and classic films by positioning one of the drive-in’s special speakers in their car's window or by tuning their radio dials to the affiliated FM station. Picnic-basket packers can choose to bring in their own snacks and drinks for a small fee, while those who like to travel light can patronize the theater's snack bar, which stocks hot dishes and snacks such as house-made fries, Hebrew National all-beef hot dogs, veggie burgers, candy, and ice-cream treats.
The 10 silver screens housed inside the newly renovated North Adams Movieplex 8 flicker with first-run Hollywood films. Standard format flicks are heightened by the addition of digital sound and unobstructed views courtesy of stadium seating, and 3-D movies give viewers a chance to immerse themselves in the action and appreciate their favorite Fonda from limitless angles. The theater is located in the heart of downtown North Adams, situating it within walking distance from the Massachusetts College of Liberal Arts.
The community-oriented Shakespeare & Co. presents high-quality theatrical meditations on life, politics, and elf employment while upholding the art-loving, humanistic tenets of Elizabethan theater. Based on the popular David Sedaris essay of the same name and adapted for the stage by Joe Mantello, The SantaLand Diaries chronicles one man’s achingly amusing struggle playing Crumpet the Elf at Macy’s during a single holiday season. Presented in the Elayne P. Bernstein Theatre, the show combines wry comedic storytelling with a yuletide setting that charmingly evokes years of bygone Santa visits and threats of coal-lump showers. Peter Davenport, a 2009 IRNE nominee, plays protagonist Crumpet the Elf as he struggles through bouts of hilariously irksome Christmastime retail drudgery. Elves, though docile by nature, are prone to outbursts of adult-related content, so this show is not recommended for children ages 13 and younger.
For more than a century, the Berkshire Museum has blended history, science, and art into a cohesive whole, drawing inspiration from both the Smithsonian and the American Museum for Natural Science. The museum is packed with wonders ranging from Wally—the fiberglass stegosaurus who guards the museum’s entry—to the John James Audubon display, an impassioned tribute to the very ornithology that prompted Audubon to pen The Birds of America. Other, more playful displays unveil additional wonders, including Alexander Calder's collection of wooden push and pull toys. And inside the vast, salty aquarium, a teeming collection of clownfish, blind cave tetra, and puffer fish swim merrily side-by-side, thankful that they've yet to be cast as members of some trite, underwater calypso band.
Nearly a century ago, the Hippodrome opened as a combination movie palace and vaudeville theater, spending more than 70 years hosting big names such as Bob Hope and Frank Sinatra. Following a double-decade period of slow business and bad hairstyles, the Hippodrome closed down in 1990. Now, however, after an exhaustive restoration project that reanimated the theater’s chandelier-lit arches, the mural above the proscenium stage, and the grand-theater boxes that hearken back to opera’s heyday, the Hippodrome reopens to the delight of Baltimore’s cultural landscape.
Still emanating fumes from their drag race to the top of the bluegrass scene, Grammy-nominated group The Grascals inspires infectious toe tapping and hand clapping during impassioned performances. Building on roots that trace back more than two decades, the tightly spun sextet fuses harmonious, twang-packed vocals with the plucks of a banjo, fiddle, and mandolin. Light-hearted, jovial jams peppered among soul-searching ballads and dramatic diary readings work together to weave a wondrous catalog–an effort that has led to collaborations with country legends such as Dolly Parton and Hank Williams Jr. This year, the group continued their blitz on the bluegrass genre with four more award nominations from the International Bluegrass Music Association. Local favorites the Ramblin Jug Stompers lay the groundwork for an evening of two-steps, as they carry on the tradition of American string bands and air-harmonica solos of the 1960s.