With more than a century of bygone days tucked beneath its foundation, the Historic Everett Theatre is one of the oldest operating theatres in the state of Washington. Today, the nonprofit Everett Theatre Society owns and operates the cinema house, enriching the community through the preservation of film and screenings of celebrated features. From plush red seats, guests watch noir, horror, and cult classics, mouthing memorable lines and shaking their heads at Casablanca's CGI effects. To honor and further the impact of cinema, local expert Jon Noe introduces the film-noir showings, and Historic Everett Theatre hosts the occasional free-movie night.
At The Dance Within, teaching the steps for belly dancing, hula, Bollywood, and burlesque isn't enough. The instructors also want to teach students about the culture surrounding the dance. The studio features a salon where you can get a henna tattoo, and a boutique shop where you can find dance garb such as burlesque bustiers, Bollywood disc earrings, and jerseys of popular ballet dancers.
The members of Instant Theatre founded the Vancouver International Improv Festival to not only bring performers from across the globe together, but to also spotlight fresh comedy around the corner. Improvisers from faraway lands such as Toronto, Los Angeles, New York, and Seattle share the stage with Vancouver natives, performing in their own troupes and mixing into ad-hoc ensembles for memorable sketches. The week culminates with a super-group performance by the International Ensemble—a group of participating artists that forms for one week only to tackle new forms and forge new collaborations.
Helmed by Artistic Director Leila Getz, the Vancouver Recital Society has drawn internationally acclaimed artists to British Columbia for more than three decades. Over the years, the society has dazzled audiences with concerts by celebrity cellist Yo-Yo Ma and recitals by violin virtuoso Itzhak Perlman. With recitals spread across four of Vancouver’s most esteemed venues, the Vancouver Recital Society packs every season with esteemed and seasoned luminaries, while introducing audiences to future generations of classical royalty.
Mrs. Kay Meek could be considered a visionary of the theatre arts. She wanted to create a place that inspired the community and brought it together before the stage. To that end, she financed the Kay Meek Centre, a cultural hub that blends classic touches into a uniquely modern venue. With blond wood, soft pink brick, and purple fabrics, the main theatre is timeless, with acoustics that enhance every musical performance and stagehand’s whispered wish to be famous. The studio theatre, on the other hand, provides a more intimate experience, with adjustable seating able to adapt to any show.
An evening at The Giggle Dam begins as a typical night out, until a zany cast member delivers your appetizer. That's because the theatre treats the dinner and performance portions of its shows as one and the same; rather than only using printed menus, the cast sings the dinner selections to the audience, and rather than postponing the entertainment, the entrée delivery is part of the show. Every plate of the four-course meal—which features rotating dishes such as roast beef and gravy, salmon, and vegetarian pasta—is crafted by award-winning chef Pieter Van Meenen, who incorporates seasonal ingredients and fresh techniques in each of his inventive creations. As the audience dines, the actors float around the room and converse with every table while hamming it up with their impressions and gags.
Once the actors are familiar with the audience members' names, hometowns, and shampoo preferences, they hit the stage and engage the audience in an outrageous and politically incorrect original musical comedy show accompanied by an eight-piece band. Every performance is a Giggle Dam original written by the members of the diverse cast who all bring something different to the table, whether it's singing in musical theatre, touring with a rock band, or performing in burlesque shows. The Giggle Dam cast pulls from these experiences to create shows full of laughs, music, and willing audience participation. To keep things fresh, the company swaps out the shows four times a year, premiering a new display every three months to feature more vibrant characters, catchy songs, and side-splitting laughs.