The historic 85-year-old Riviera Theatre welcomes moviegoers to experience the show-stopping splendor of an original 1920s movie palace, boasting no less than 1,150 seats and myriad perching possibilities for taking in a roster of Streisand's most beloved films. Beginning June 30 with What's Up, Doc? and concluding with The Way We Were on September 1, the film series presents nine of Babs's best flicks for ultimate fan perusal and trivia-night upsets at Fran Drescher's house. Bask beneath the crystal-laden chandelier on July 21 and August 11 to chortle along to Barbra's portrayal of famed comedienne Fannie Brice in both Funny Girl and Funny Lady respectively, and mark your calendar for July 7, when A Star is Born examines Streisand's brief foray into celestial midwifery. Pummel your senses in The Main Event (July 28), extend greetings to Hello, Dolly! (August 4), witness the charged banter during The Owl and the Pussycat (August 18), and don cloudless glasses during On a Clear Day You Can See Forever(August 25).
Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired up with other classmates as the instructors assess their current skill level and make recommendations on the most appropriate program. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by the legendary toe tapper himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form, using their expert eyes and mechanical dancing shoes preprogrammed to do the Charleston. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or samba. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.
Strap yourself into an unrestrictive seat at ComedySportz for a some-holds-barred, refereed stage match for comedic supremacy. Fueled by the suggestions and overall uproar of the audience, performers provide family-friendly humor as they jump through songs and scenes onstage. Each match flies faster than a speeding mind-bullet through content significantly safer for children than speeding mind-bullets. Much like snowflakes, no two matches are the same, and all of them are best enjoyed with an outstretched tongue. Watching a group of people thinking on their toes (a typical improv troupe has between seven and 94 toes) is more fun than losing to children at Scrabble. And whether you're attending the show as a means of entertaining the family or as an alternative to yelling hysterically at zoo animals, ComedySportz welcomes you with open arms.
Though he was a successful touring comedian, opening for acts such as Tim Allen and Jim Carrey while headlining at nationally known venues and Las Vegas shows for 50 weeks a year, Rob Lederman felt something was missing. When The Pat Sajak Show was cancelled the day he was slated to appear as the guest comedian, Lederman took it as a sign and returned to his native Buffalo to open his own club. Drawing on his experiences in comedy rooms and slipping on banana peels around the nation, he created the Comix Café, which drew in top talent and garnered a mention in USA Today as one of the top standup spots in the country. Now in its second iteration, his club, Rob's Comedy Playhouse, hosts weekly evenings in which top-flight comedians tickle ribs like mischievous barbecue cooks.