Under the Streetlamp pries open America's songbook of radio hits, belting out timeless sing-alongs. After fueling the Chicago run of the Tony Award–winning musical Jersey Boys, the old-school quartet has reconvened on stage, determined to resurrect the sounds of the ‘60s and twirl listeners back to an era of peace, love, and vinyl housepets. Unabashed head-bobbing sweeps through East Leyden High School's auditorium as rock 'n’ roll anthems, doo-wop jingles, and golden oldies soar from the band's vault, courtesy of legendary hitmakers such as The Beatles and The Beach Boys. A seven-piece ensemble backs the harmonized vocals with rollicking piano, crystalline guitar, and horns that burst forth with bombast during the rockers and slow to a dreamy sway for the ballads. The vocalists also regale audiences with whimsical choreography and amusing story banter between the songs. Adding to the evening's feel-good vibes, the River Grove School Education Foundation presents the performance as part of its continuing mission to generate funds for local educational programs.
Couched in the stadium seats of luxury, patrons at Muvico Theaters enjoy the latest blockbusters in crystal-clear Sony 4K digital projection. Moving D-Box seats in certain movie houses take the motion-picture experience to the next level, and huge armrests in the Premier section leave room for midmovie dining and premovie thumb wars. Muvico also shows golden oldies in addition to new releases and live events, such as live comedy, sporting events, and beer and wine tastings
For Delores Balogun, the founder of iGlow Mentoring, it was the inspiration from mentors in her own girlhood that carved her path toward motivating girls and young women to empower themselves. Now, the humanitarian establishes regular mentoring events and programs that encourage female youngsters to believe in themselves and learn from each other, hopefully—as the iGlow acronym illustrates—Inspiring Girls to Lead Our World.
Following the aroma of freshly popped corn through Sundae’s Too Ice Cream Shop, guests find themselves standing in front of Bensenville Theatre’s two intimately sized, 130-person theaters. The twin screens flicker to life two to three times daily, showing a selection of recent Hollywood blockbusters during weekday matinees or nightly showings. A concession stand helps supply guests with popcorn for staving off hunger or stuffing shirts in an effort to emulate the muscular physique of Jean-Claude Van Damme.
A buzzing crowd gathers around the entrance of the Zoppé Family Circus tent before each performance, straining to glimpse the wooden hands of a large clock that displays the next showtime. When the moment is nearly at hand, members of the family emerge from the cavernous tent to greet their guests. As they introduce their siblings, spouses, and children, an accordion exhales melodies first heard in 1842, when Napoline and Ermenegilda Zoppé traveled from Budapest to Venice for their first show.
Inside the tent, Napoline and Ermenegilda’s descendants effortlessly balance on wires and swing from trapezes. Just below their aerial stage, horses trot around a sawdust ring as equestrian ballerinas display a brand of showmanship worthy of comparison to John Wayne's performance in The Lone Leotard. Between acts, Giovanni Zoppé takes on the persona of Nino the clown—a lovable character whose earnest efforts to steal the show are thwarted by his own buffoonery.