PIEAM houses a huge assortment of ethnic art from all over Melanesia, Polynesia, Micronesia, and Hypernesia. The museum was founded by the late medical doctor and Oceania enthusiast Robert Gumbiner, who wanted to preserve the various sculptures, paintings, jewelry, carvings, and tools forged by Pacific Islanders. Tour the facility for a day with a friend, significant other, or sentient shadow or opt for an ultimate membership, which gets two adults and any kids or grandkids under 18 a full year of access to the museum's chambers, as well as eight guest passes, a complimentary copy of The Birds of Yap, and recognition as a founding member in PIEAM promo materials. Click here for current and upcoming exhibitions.
While wandering the Museum of Latin American Art's permanent collection of works?from artists native to 20 Latin American countries?it might come as a surprise that the space was once home to a roller-skating rink and a silent-movie studio. Its transformation into one of the country's only museums dedicated to modern and contemporary Latin American art was the work of physician, philanthropist, and patron of the arts Dr. Robert Gumbiner. He acquired the properties and founded the museum in 1996, revamping the Hippodrome into galleries alive with Latin American music, paintings, and video.
Since that time, the museum has doubled in size, adding a 15,000-square-foot sculpture garden and expanding its collection to include masters such as Rufino Tamayo, Roberto Sebasti?n Matta, Los Carpinteros, and Tunga. The site now serves as a beacon of Latin American culture, showcasing artists who made names for themselves in their own countries but may not be well known in the United States.
Beyond the eye-catching exhibitions, which have been featured in the Los Angeles Times, the museum offers educational programs and events such as concerts, film showings, and children?s art camps. Each is an outgrowth of the museum?s mission to stimulate the intellect and cultivate an appreciation for Latin America?s contributions to the world of art.
Rancho Los Alamitos enjoys a spot on the National Register of Historic Places for a couple reasons—the site is the birthplace of the native Tongva people, and it has also played an important role in local history since 1790. That’s the year Manuel Nieto took control of a 300,000-acre parcel of land as a reward for serving the Spanish crown on an expedition to California. Over the years, the land saw subdivision—in 1833, it was divvied up among Nieto’s heirs into five ranchos, some 25,500 acres becoming Rancho Los Alamitos. Around this time, the Nietos erected a still standing adobe house, most likely for ranch staff and horses. Fast-forward nearly a hundred years and Florence Bixby is cultivating a lush garden. From native plants and cacti to geraniums and roses, her garden incorporated aspects of ranch life without fully relinquishing a European vibe. Along with that garden, vestiges of the Tongva Village and the homestead’s former inhabitants live on today next to a renovated Rancho Center and Barns Area. The ranch is still home to barnyard animals—chickens, rabbits, horses—and thanks to Bixby’s heirs, the 7.5 remaining acres of Nieto’s once-colossal estate now welcome the public with exhibits about its history and that of the Tongva tribe.
In the early 1960s, the Long Beach Kiwanis Club realized their community's history was slipping away, unpreserved. So they took matters into their own collective hands by founding the Historical Society of Long Beach with a museum in Bixby Knolls. The organization's staff went to work collecting photographs, documents, and other artifacts that chronicle Long Beach's past. To date, society members past and present have assembled around 27,000 photographic prints, 3,000 slides, and 1,400 volumes of newspapers covering events from as far back as 1897. The society also maintains a collection with maps, artifacts, and even interviews of notable citizens.
Rotating exhibits grant peeks into this historical collection. Historical Society of Long Beach also hosts special events, including an annual history tour of the city?s two oldest cemeteries, one of which is a favorite vacation spot for the world's richest ghosts, special conferences, and First Fridays.
Petroleum mogul Dr. Armand Hammer clung to life just long enough to see The Hammer Museum make its debut in 1990, passing away three weeks later. Without the founder’s support, construction screeched to a halt and spaces sat in varying states of completion. But not for long. The powers that be at UCLA saw Hammer’s vision, and took control of the abandoned museum in 1994. They restored it to its former glory by importing the university’s own collections and staff. Today, The Hammer’s unique compendium of works still hints at the unlikely collaboration that bore the museum all those years ago. Its stockpile of masterpieces explores the modern-day in a contemporary collection of mostly drawings and photographs. Richard Hawkins’ disembodied zombie george green might best embody current artistic trends; his expressionless eyes stare from a yellow backdrop, the handiwork of an undead inkjet printer. Meanwhile, the Armand Hammer Collection, left behind by the museum’s namesake, balances george and other outlandish works with 19th-century art by Degas, Cézanne, and van Gogh. It’s virtually impossible to predict whether rotating exhibits will land in classic or contemporary camps. They range from performance art installations—Floor of the Forest depicts two dancers moving through hanging jumbles of used clothing and ropes—to sculptures, paintings, and drawings. To cultivate better artistic understanding, the Hammer Museum hosts events including lunchtime art talks, tours, and screenings.
A giant forest stretches across most of California?but its impossible to hike there. Submerged just off of the state's rocky coast, large kelp forests make a home to diverse animal and plant life. Moray eels, leopard sharks, and giant sea bass all swim beneath the water, while sea otters splash at the surface. That's just one of the habitats on display inside the Cabrillo Marine Aquarium.
The 21,000-square-foot aquarium showcases Southern California's rich marine life, making it the largest aquarium of its kind in the world. The Susanne Lawrenz-Miller Exhibit Hall charts a journey through different regions, from the open ocean, to the mudflats, to the sandy shores. Other areas present a more immersive experience. The tide pool lets visitors touch a starfish, while the exploration center lets them crawl into a tunnel, where they find themselves surrounded by octopuses, sting rays, and other creatures that have signed contracts to make public appearances.
Cabrillo Marine Aquarium wants to keep all of these creatures around for the long term. Case and point: the aquarium houses a research library and an aquatic nursery, where the team raises young sea animals and trains young scientists.