Couched in the stadium seats of luxury, patrons at Muvico Theaters enjoy the latest blockbusters in crystal-clear Sony 4K digital projection. Moving D-Box seats in certain movie houses take the motion-picture experience to the next level, and huge armrests in the Premier section leave room for midmovie dining and premovie thumb wars. Muvico also shows golden oldies in addition to new releases and live events, such as live comedy, sporting events, and beer and wine tastings
Endorsed by the Parents Television Council and featured on Lifetime Television, Family Values Cinema scours libraries and cutting rooms for family-friendly, G- and PG-rated movies and delivers them to busy parents. A discerning squad of moms prescreens each film, selecting only those with clean language, minimal violence, and a lack of scary clowns for the Family Values Cinema library. Kin clans then receive the moms' latest picks in the mail, such as Kayla, about a boy who discovers a sled dog in the wilderness, and The Last Brickmaker in America, in which a widower, played by Academy Award–winner Sidney Poitier, rekindles his spirit by mentoring a troubled teen. Groupon-holding families receive one Family Values Movie Night package (valued at $10.90) containing a total of four movies, plus a discussion guide and family activity that go with each film. Hungry critics-in-training can also enjoy movie-themed foods prepared from the enclosed recipe cards, while the package's trio of films about firefighters, police officers, and rescue workers (a $15.90 value) gets kids extinguishing fake fires, resuscitating cat-maimed Barbies, and chasing imaginary identity thieves.
The independently owned Roxy Stadium 11 regales patrons with the flickering pictures and digital sounds of the latest blockbusters and the sizable snack bar. A colorful lobby greets guests as they meander past towering pillars that stretch toward an arched ceiling swathed in neon lights and bold swaths of royal blue. Aisles of cushioned auditorium seats allow moviegoers to choose the spot closest to the screen or furthest from the person sobbing emphatically during coming attractions. High-tech projectors digitally unspool films in each theater, with RealD 3-D technology transmitting some flicks in three vibrant dimensions. To silence distracting mid-movie hunger pangs, staffers in the concessions area whip up fresh batches of Orville Redenbacher popcorn and Nathan's hot dogs alongside other traditional theater fare.
Amid the bustle of Hollywood Boulevard stand two monuments to the silver screen. One, the TCL Chinese Theatre, oozes with history— imported Chinese stone lions, a 90-foot-tall copper roof, and concrete blocks that bear the handprints of Hollywood luminaries from years gone by each memorialize the celebrated role the building has played in Hollywood for more than eight decades.
Next door, Chinese 6 Theatres is a tribute to the cutting-edge. Six theaters, some with 3D capability, immerse viewers in ultra-realistic picture and sound better than sitting inside Steven Spielberg's android brain. Beyond the plush theater seating, a bar slings cocktails for in-movie sipping and a restaurant serves a full menu for cravings after the show. The service schedule varies for the bar and the restaurant but both will be open during Summer 2013. Whether they opt for the historic cinema or the ultramodern theater, visitors can catch a full slate of acclaimed new releases on their chosen big screen.
The storied history of TCL Chinese Theatre rivals those of the more than 200 celebrities whose handprints, footprints, and autographs are cemented into the theater's forecourt. Erected in 1927 and declared a historical and cultural landmark in 1968, the iconic theater stages movie screenings, premieres, events, and red-carpet ceremonies. Today, moviegoers walking through the theater's main courtyard can revel in the same opulence of those 1920s screen idols, craning their necks upward to take in the looming pagoda that frames the entrance. Inside, the theater's original 1927 screen towers high above the plush red-velvet seats, surrounded by wooden panels that rise to a ceiling with flowing Chinese-style drawings. This classic Hollywood setting is one of the reasons why the theater, in an echo of its origins, hosts celebrity-studded premieres, such as the 2012 opening for Life of Pi and the 2013 opening for Beautiful Creatures.
Each year, more than 60 galleries and artists from Los Angeles and the intangible web of the art world beyond flock to Art Los Angeles Contemporary like butterflies in migration. During their stay, they display their colors in Santa Monica's Barker Hangar, which hosts 40,000 square feet of exhibition space with 40-foot ceilings ideal for extra-tall installations or human pyramids made of Shaquille O’Neal sculptures. In addition to paintings and functional furniture from emerging and established artists, Art Los Angeles Contemporary also hosts a programming series of talks, curator-led panel discussions, and film screenings. This year, the exposition will spotlight Ceci n’est pas… Art Between France and Los Angeles, a cultural-exchange program culminating in more than 30 French-American collaborations.
Formed in 2001 by producers and ardent horror buffs Rachel Belofsky and Ross Martin, Screamfest gives the corn-syrup-drenched cleavers of future visionaries a chance to shine while talking shop with the legends of the genre. On Saturday, October 20, Dread Central's Sean Decker moderates a Q&A with John Carpenter following a screening of his underrated 1989 film Prince of Darkness. Viewers can also take in an early screening of the wintry abduction thriller The Factory, starring John Cusack. Bruce Spaulding Fuller and Kurt Carley, protégés of the late Stan Winston, are also on hand to impart the fine art of sallow skin and faux viscera during a zombie-makeup demo on Saturday, October 13. Throughout the weeklong festival, dozens of features and short films from future Hitchcocks turn the theater's projected air blood red and shadow black as they compete for the gold-skull trophy. Will Ryan Haysom's neo-giallo short Yellow beat out JessiGotta's Anniversary Dinner, a zombie-apocalyptic commentary on the War on Terror that centers on a marriage gone necrotic? Will the haunting atmosphere and Del Toro–esque mythological flourishes of Aleksander Nordaas's Thale win out over the primal childhood terrors of Steven C. Miller's Under the Bed? The winners will be announced during the closing party and awards ceremony on Saturday, October 20, with all winners receiving an encore screening on Sunday. The runner-up films will be picked off one by one and torn apart in creative ways by an unstoppable, chainsaw-wielding line editor.