Founded in 2011, the Chicago-based American Chamber Opera features an ensemble committed to singing full-length oratorios in English. Its productions resemble concerts more than traditional opera performances: the music takes center stage as the singers belt and emote in settings that evoke the world of the story with just a few well-placed details.
Kumu Hula (“Master Teacher of the Hula”) June Yoshiko sometimes wonders if it was the same streak of courage that led both of her grandfathers to leave Japan and start a new life in Hawaii that inspired her to make a similar journey from Hawaii to Chicago. A hula dancer since she was six, she’s honed her craft over three decades while augmenting it with a master’s in public health nutrition, ordination as a Zen Buddhist priest, and certification as a reiki master teacher.
June teaches two types of hula classes: Hula Kahiko, ancient dances accompanied by chanting that emphasize Hawaiian culture, and Hula Auana, or modern hula, set to contemporary Hawaiian songs and instruments such as ukulele and guitar. Her beginner classes focus on footwork and hip motions, and advanced classes merge both Kahiko and Auana with the study of plants, chants, mythology, and history important to hula. June also offers a Gracious Ladies class for mature women and men that incorporates Auana hula to tone bodies, strengthen core muscles, and boost ACT scores.
Adapted from the popular animated film by DreamWorks, Madagascar Live! brings to life the furry adventures of the familiar cast of on-the-lam zoo animals as they break out of New York's Central Park Zoo and return to their ancestral homeland in the African isle of Madagascar. This frenetic fusion of music and dance celebrates friendship with original songs, imaginative sets, and vivid costumes, leaving audience members clamoring to stage their own inspired midmorning escapes from the carpool lane. With more than 4,000 seats—each with unobstructed views—Rosemont Theatre provides a much more stately venue to witness a dancing-animal show than the neighborhood dogs' backyard production of The Sound of Music. Seats will be located in balcony level A through S or floor level AA-HH. Ticket pick-up is available starting an hour before the performance. Groups should plan to pick up their tickets early for best chance of sitting together.
Bursting with two fully equipped dance studios and a philosophy of noncompetitive learning, Dance Center of LaGrange brings skilled teachers and a miscellany of dance types to the feet of dancers both young and old. Tykes can twirl toward the 45–60 minute summer-session classes to introduce tentative toes to preballet and creative movement (ages 3–4), learning new moves and gaining confidence while composing a rhythmic symphony with their 10-toed orchestra. The Storycise class (ages 3–5) combines storytelling and exercise to produce a hybrid fitness adventure filled with heart-pumping moves and poses that spell entire novel chapters. Teens can hit up the modern/jazz class for a medley of Broadway-style shimmying, and grown-up steppers can twist into adult tap, lacing up specialty shoes to conquer rapid routines and drum out grocery lists onto the hardwood floor.
Chicago Elevated, run by effusive improv veteran Margaret Hicks, leads curious charges on eclectic group, private, and custom tours of the city. Jaunts lead natives and tourists alike through the city’s oft-overlooked nooks and crannies as Hicks’s jovial voice narrates every step, shedding light on secret areas and easily overlooked historic sites. Her pedway tour sojourns into Chicago’s tiled subterranean antecity, where retailers, restaurants, and mole people mingle. Tours explore sites of famous disasters, visit the ghostly red-light district that once stretched below what is now Printer’s Row, and gaze at downtown’s ornate architecture from the riverwalk.
Stationed in Wrigleyville after college, Hicks accrued the healthy sense of humor and comedic timing that pepper each tour at Second City, iO, and other theaters. Though she attempted a move to New York City, Hicks soon discovered she couldn’t stay away from Chicago’s majestic skyline or the skyscrapers’ subtly receding hairlines. A stint in the Chicago Architecture Foundation’s docent program, as well as acting as a tour guide for six years, arm her with insider’s knowledge that soon transfers to listeners’ brains.