The hills above Milwaukie bear many secrets, including a turn-of-the-century estate called Amadeus Manor with sloping roofs, heavy wood doors, and stunning views of the Willamette River and Portland skyline. This hidden gem—a three-story stone manor built in 1921—emerges from the bowed limbs of enormous trees and shrubbery, welcoming people inside for a romantic dinner of continental cuisine.
Its menu is culled from European classics, with a focus on the owner's home country, Austria. For the schnitzel Amadeus, the chefs trim pork tenderloin by hand, and for the steak au poivre Madagascar, they paint a grilled new york strip steak in a peppercorn cognac demi glace and pair it with mango chutney. Dinners sweetly conclude with a rotating menu of desserts made in house and a cup of house coffee served with luscious clotted cream.
Guests linger over the meals at tables set with fresh flowers while nearby, a fire roars in a stone hearth. Dusk is particularly enchanting when the setting sun illuminates iron-framed windows and the manor's glittering chandeliers twinkle in the soft pink light.
Players plugs gamers into a cavalcade of entertaining diversions while fueling competitive spirits with eats and drinks from a menu of pub mainstays. Satisfy pin-busting urges by bowling on one of 12 sleek lanes ($2–$4.75/game per person; $2.50/shoe rental). Each lane sports a massive flat-screen hovering above pins, helping bowlers catch the game while dominating their own opponents. Decamp to Players’ billiards lounge for lessons on trick shots, geometry, or the mating habits of eight-balls staged atop one of the contemporary pool tables ($8–$10/hr.). Players' bar and dining area basks under warm amber lights punctuated by the blue glow of 25 sports-affixed TV screens. Gab with old colleagues about advancements in office pranks over frothy brews (bottle $3.25–$4; draft $3.50–$4.50), goblets of vino ($5+), or one of 10 burgers ($8.99–$10.99). The under-21 set stays occupied in the 8 Ball Lounge, a youth-friendly hideaway packed with shuffleboard tables and sleek seating.
Before it mutated into a weaponized haze of reality shows, MTV aired a novelty known as the music video. These bite-sized works of art, which married pop songs to striking imagery, revolutionized the entertainment industry and ushered in an era of music known as “new wave.” For the task of curating and introducing these fresh sounds and flamboyant sights to audiences, MTV even created its own version of the disc jockey—the VJ.
Though MTV has sent its stable of video jockeys out to pasture, VJ Kittyrox carries the pastel, shoulder-padded torch of Adam Curry and Nina Blackwood as she masterminds the 80s Video Dance Attack. For the last seven years, this popular shindig has united generations of Portlandians with its five-hour feast of '80s-centric sensation. Across 10-foot screens, VJ Kittyrox projects classic videos from artists such as Duran Duran and Michael Jackson as audiences of Breakfast Clubbers and Pretty in Pinkers perfect their cabbage patch, running man, and Pat Benatar shimmies. A bombastic, thumping sound system and a dazzling light show accentuate the time warp as audiences deck themselves in '80s garb and shake away memories of unsolved rubik’s cubes.
The inspiration behind Rise Dance+Lab, a dance school for children aged 3–14, isn't what you might expect. Evie Graham originally established Vega Dance Lab, a studio exclusively for adult students, when she noticed a glut of kids' dance studios in her search for classes she could take herself. Of course, Evie is a parent herself, and though she found plenty of dance studios her kids could attend, most were far away from downtown Portland. So with one successful dance studio under her belt, Evie and her husband Joe founded Rise Dance+Lab, a studio in the center of the city where kids could discover and hone skills in diverse styles of dance. There, younger dancers begin with classes such as Tutu Cute or Turn! Jump! Leap!, which explore movement and teach the basics of dance and class etiquette. As kids get older, they begin developing more polished moves in styles such as hip-hop, jazz, and contemporary, even working toward injecting the choreography with their own experiences and feelings to give their moves more emotional depth and find a method of expression that can't be stolen and read by a nosy sibling.
The mission at Organic Bronze Bar is to provide a consistent and enjoyable experience where clients get their needs heard and are always provided with cutting edge options. The talented professionals prides themselves on designing beautiful hair by merging up-to-date hair technologies and fashion trends in color, cuts and hair products that create the best results. The salon boasts high-end product lines such as Moroccanoil, Bumble & Bumble, Inoa Organics and Matrix.
Instead of relying on harmful rays, Organic Bronze Bar’s organic, paraben-free formulas call upon natural ingredients such as walnuts, antioxidants, and pure botanicals to deliver a safe, natural-looking glow. Eschewing a “one size fits all” experience, the staff custom blends each solution to suit differing skin types and applies it by hand to ensure even and streak-free coverage that dries instantly. The odorless solutions can be further enhanced with the addition of SPF, hydrating solutions, or bear repellent. Tans typically last 5–10 days with proper upkeep.
Nestled beneath the luminous beacon of its old-timey marquee, the Clinton Street Theater cements its status as Portland’s oldest continuously running independent film house with a rotating slate of foreign films, documentaries, and cult classics. Weekly screenings of The Rocky Horror Picture Show and Repo: The Genetic Opera draw fervent cultists dressed as their favorite characters and boom-mic operators, complementing screenings of splattery horror flicks with thought-provoking opera from rising and renowned auteurs. The cylindrical glow from a whirring projector jets across the Clinton’s spacious theater, illumining arrivals from such directors as Sidney Lumet and Gus Van Sant, who is notorious for instructing his actors to break character midfilm to challenge texting film-goers to bare-knuckle brawls.