The Lewes Historical Society's outdoor craft fair and fundraiser arrays more than 80 artisans from the mid-Atlantic region in front of a backdrop of historical structures. Visitors admire homespun jewelry, cozy up to quilts, and marvel at sculptures whittled from blocks of wood or slightly larger sculptures. Vibrant stained glass casts dazzling light, while an array of hand-thrown pottery quivers in fear of wayward elbows and undercover bulls. Picturesque cherry trees shade a cluster of picnic tables, ideal for listening to the festival's lineup of live music and noshing on the spread of baked goods and other refreshments for sale.
The Biggs Museum of American Art showcases late founder Sewell C. Biggs's impressive collection that focuses on the evolution of American and especially Mid-Atlantic art from the 18th century up to the present. Steal some time inside the museum's 18 intimate galleries and peruse the permanent collection’s early American furniture, regional silver, and sculptures needled by the famously opposable-thumbed Hiram Powers. Although admission is free, the Biggs Museum fills a bustling calendar with programs such as art classes and kids’ activities that members can enjoy at a discount, along with events such as the annual member appreciation breakfast. With a rotating cast of exhibitions, current offerings include the Award Winners XI exhibition running through October 23, 2011, which displays works by the Individual Artist fellows of the Delaware Division of the Arts. The upcoming Delaware By Hand: Masters Competition exhibition, on display from November 4, 2011 to February 19, 2012, features contemporary work chosen by a panel of judges and presented in tandem with an array of public programs, art sales, and grassroots movements to line public spaces with paint-spewing fire hydrants.
The Chesapeake Bay Maritime Museum is a non-profit organization dedicated to sharing the stories of the Chesapeake Bay and the people who have shaped their lives around it. With 18 waterfront acres in the historic town of St. Michaels, the Museum offers exhibits, boat rides, festivals and more.
The Mid-Atlantic Center for the Arts & Humanities (MAC) currently preserves and oversees acres of land containing Cape May's most notable Victorian-era landmarks, relying on a staff of 160 and nearly twice as many volunteers. At its inception, though, MAC existed purely as a volunteer effort. Passionate people came together with a simple mission: preserve area history. The founding members first joined forces to rescue the Emlen Physick Estate mansion?built in 1879?from demolition. Successfully fending off the bulldozers, they went so far as to restore it through volunteer man-hours alone.
Having preserved the mansion, the MAC crew decided to transform their volunteer-only organization into a staffed outfit. The new, full-time staff members did more than just run the mansion site; they set their sights, quite literally, higher. They restored the 1859 Cape May Lighthouse, a towering landmark that had been closed to the public for almost 50 years. They also undertook the restoration, repair, and oversight of Fire Control Tower No. 23, the last uncompromised lookout tower erected during World War II. They now oversee all sites, maintaining over 100 of years of history, which is presented through tours, events, and chats with talkative ghosts.
When Frank Wheaton Jr. first visited the Corning Museum of Glass in the early 1960s, it caught his ire. On display were many marvelous works of glass?treasures forged of sand, wood, soda ash, and silica that represented the dawning of the American glass industry. Frank's problem? Those shiny, fragile masterpieces were being exhibited in New York and not where they were birthed: New Jersey.
As the grandson of glass magnate Dr. Theodore Corson Wheaton?whose glass pharmaceutical bottles were instrumental in giving rise to the Millville glass monarchy of the Wheaton company?Frank claimed his birthright and created Wheaton Village now known as Wheaton Arts and Cultural Center. The organization has a mission to engage artists and audiences in an evolving exploration of creativity, and has appealed to audiences of all ages for over four decades with its diverse traditional and contemporary arts programs, classes, workshops and exhibitions. Also on-site is The Museum of American Glass, housing one of the most comprehensive collections of American glass in the country, from the first glass bottles made in America, to celebrated works by Dale Chihuly and other contemporary artists who work with glass. Visitors can also experience the art of glassmaking, ceramics and flameworking in the Artists Studios, and the museum stores offer traditional and contemporary art in a variety of mediums.
Howard Pyle's unexpected death in 1912 brought a group of artists, entrepreneurs, and businessmen together to grieve their friend. They couldn't let the artist's passion for teaching and illustration disappear as quickly as he had; so, they decided to form the Wilmington Society of Fine Arts with the sole purpose of preserving his legacy. They gathered funds from locals who felt just as strongly as they did?family members, friends, students, fans?and purchased approximately 100 pieces of his artwork.
Little did they know that, with these 100 pieces, they were starting something greater than a memorial for a good friend. The Wilmington Society of Fine Arts would, over time, add more and more artwork to its collection, growing into an 80,000-square-foot space and out of its original name. The Delaware Art Museum, as its called today, now counts more than 12,000 works of art as part of its collection. Permanent features showcase British pre-Raphaelites, the urban landscapes of John Sloan, modern American art, and, of course, Howard Pyle. The masterpieces don't stop when visitors venture outside?the Copeland Sculpture Garden adorns its lush natural scenery with nine works from the museum's permanent collection, along with a massive outdoor labyrinth.