The Lewes Historical Society's outdoor craft fair and fundraiser arrays more than 80 artisans from the mid-Atlantic region in front of a backdrop of historical structures. Visitors admire homespun jewelry, cozy up to quilts, and marvel at sculptures whittled from blocks of wood or slightly larger sculptures. Vibrant stained glass casts dazzling light, while an array of hand-thrown pottery quivers in fear of wayward elbows and undercover bulls. Picturesque cherry trees shade a cluster of picnic tables, ideal for listening to the festival's lineup of live music and noshing on the spread of baked goods and other refreshments for sale.
The Biggs Museum of American Art showcases late founder Sewell C. Biggs's impressive collection that focuses on the evolution of American and especially Mid-Atlantic art from the 18th century up to the present. Steal some time inside the museum's 18 intimate galleries and peruse the permanent collection’s early American furniture, regional silver, and sculptures needled by the famously opposable-thumbed Hiram Powers. Although admission is free, the Biggs Museum fills a bustling calendar with programs such as art classes and kids’ activities that members can enjoy at a discount, along with events such as the annual member appreciation breakfast. With a rotating cast of exhibitions, current offerings include the Award Winners XI exhibition running through October 23, 2011, which displays works by the Individual Artist fellows of the Delaware Division of the Arts. The upcoming Delaware By Hand: Masters Competition exhibition, on display from November 4, 2011 to February 19, 2012, features contemporary work chosen by a panel of judges and presented in tandem with an array of public programs, art sales, and grassroots movements to line public spaces with paint-spewing fire hydrants.
The Chesapeake Bay Maritime Museum is a non-profit organization dedicated to sharing the stories of the Chesapeake Bay and the people who have shaped their lives around it. With 18 waterfront acres in the historic town of St. Michaels, the Museum offers exhibits, boat rides, festivals and more.
When Frank Wheaton, Jr. first visited the Corning Museum of Glass in the early 1960's, it caught his ire. On display were many marvelous works of glass—treasures forged of sand, wood, soda ash, and silica that represented the dawning of the American glass industry. Frank's problem? Those shiny, fragile masterpieces were being exhibited in New York and not where they were birthed: New Jersey.
As the grandson of glass magnate Dr. Theodore Corson Wheaton—whose glass pharmaceutical bottles were instrumental in giving rise to the Millville glass monarchy of Wheaton USA—Frank claimed his birthright and created the WheatonArts and Cultural Center. Sprawling across 65 wooded acres, WheatonArts features a fully functioning glass studio with daily demonstrations of glassblowing wizardry; artist studios where craftsmen branch out into pottery and woodworking. The jewel of the WheatonArts retreat, and the fulfillment of Frank Wheaton's dream to usurp New York, is the [Museum of American Glass(http://www.wheatonarts.org/museumamericanglass). The magnum opus of luminescence charters the history of the medium from its brittle infancy to its latest mutations. The circulating collection typically includes up to 7,000 objects, ranging from early American bottles and mason jars, clever Art Nouveau creations, and stunning works from Dale Chihuly and other contemporary glass-working artists.
In 1881, arriving by water or rail, visitors to the Jersey Shore met a rather startling sight: an elephant, trunk lowered in a feeding position, towering six stories high. The elephant–shaped building, nicknamed "Lucy," was designed to attract prospective real-estate buyers to Margate, New Jersey. The brainchild of the elephant, James V. Lafferty Jr., actually had designed three gigantic elephants, but by 1969, only a derelict Lucy was left. Thanks to the dedicated Save Lucy Committee, which formed in 1970, the landmark—now listed on the National Park Registry of Historical Landmarks—reopened in 1974.
Constructed from wood and metal, Lucy weighs 90 tons; her ears each weigh 2,000 pounds alone. Every 30 minutes, guided tours enter the spiral stairway in her hind legs, which climbs through her insides up to the howdah on her back. This perch affords a stunning 360-degree view of Josephine Harron Park and the surrounding shore, where beachgoers sunbathe, splash in the water, and struggle to pay the mortgage on their sandcastles.
Committing their enterprise to eco-friendly tourism, the women at SegZone Tours guide visitors through the historic streets of Annapolis, along the city waterways of Dover, and around the track at Dover International Speedway—all aboard segways. For groups or private parties, tour leaders can also focus excursions on local gardens, architecture, and wildlife in areas often unreachable by car or paraglider. They also guide themed seasonal tours, such as rides along haunted-house routes or past holiday-light displays. With an eye toward safety, staff members always provide thorough instruction on riding before tours or rentals, though they often give customers license to race or argue over whose segway would look better with flames painted on the side. When not leading guided excursions for customers or school groups, the team organizes corporate team-building events as well as indoor obstacle courses for recreation.