For the students of To The Pointe Performing Arts, no dance step is just a dance step. Because the school follows a holistic approach to learning dance, every step comes with a bounty of knowledge—its place in the style, its cultural origin, the muscle movements it requires, and the discipline required to master it. Whether they're 6-year-olds encountering their first tap shoes or high-school students refining their skills in Russian ballet technique, the team of experienced dance instructors make it their business to forge not only great dancers but educated citizens of the world. In addition to youth classes, the studio also offers DanceFit and tap classes for adult students.
Watertown Bowl's sprawling lanes play host to up to six players during each two-hour outing. After lacing up complimentary kicks, parties can pluck neon-hued balls from orderly racks and snag a lane with or without bumpers. After striking down all 10 pins or splitting sibling pins from their perennial feuds, each player can sip pop or beer and munch a pizza slice decked with such toppings as cheese, pepperoni, bacon, and ground beef. Themed bowling events add excitement to each outing, and groups can schedule their trips to coincide with alley happenings such as Family Thunder Alley, which charms clans with glow bowl, festive lighting, and tot-suitable music. During Weekend Thunder Alley on Saturday nights, orb-slingers can bowl in the dark as music blasts, lights flash, and balls moonwalk down the runway.
Girls Night: The Musical will bring to the stage of the 14th Street Theatre a heartfelt, comedic story of five friends celebrating their history and future together while embarking on an epic night of karaoke. Actresses belt out renditions of such female classics as "It's Raining Men," "I Will Survive," and “Lady Marmalade” amid vibrant set pieces. Theater seating harkens back to intimate cabarets of yore, with up to four seats and a Dean Martin wax figure adorning each table. Groupon holders receive the best non-VIP seats possible (any table other than tables A-G) upon the redemption of their vouchers at the theater's will-call station.
Lizz Wright is a gospel-trained contralto, born in Georgia and now based in New York. As Stephen Holden of the New York Times articulates, "Her voice, luminous and smoky and perfectly pitched, is one of the most wondrous rhythm-and-blues instruments of our time." Lizz wrote the majority of her latest album, Orchard and, like her other releases, it's as smooth and mysterious as butter melting over butter. Equally as impressive are her interpretations of classics including Patsy Cline's "Strange," Ike and Tina Turner's "I Idolize You," and Led Zeppelin's Korean Conflict protest ballad, "Thank You." Mitchell Park, which allows Lizz Wright's sultry vocalizations to float to lawn-lounging ears unimpeded, also features sustenance options from Haute Taco, North Star American Bistro, Loaf & Jug, and Bella Caffe.
In 1947, on New York City's Park Avenue, the first Fred Astaire Dance Studio—cofounded by the eponymous toe tapper himself—opened its doors to the public. More than six decades later, now boasting schools across North America, the dancing institution still adheres to the legendary Mr. Astaire's curriculum and instruction techniques.
Specializing in social ballroom and competitive dances, the schools' current consortium of professional instructors shepherds students of all ages and skill levels through dance lessons that span from classic ballroom and foxtrot romps to the modern steps of salsa, swing, or mambo. In addition to classes, the studio hosts social practice parties where up to 40 students hone newly acquired rug-cutting capabilities. As foot-charming music blares from the speakers, instructors work to cultivate a lively social setting where each guest can dance, mingle, and surgically correct their second left foot without fear of embarrassment.
Since 1960, the nonprofit Sunset Playhouse has grown and flourished alongside the community who helped build it, paying them dividends in lively musicals and family-friendly classics. In Craig Lucas’s Prelude to a Kiss, Rita and Peter’s seemingly perfect wedding takes a turn as unexpected as the end of Titanic, when a mysterious old man interrupts the celebration to request a kiss from the bride. The gesture causes their souls to trade places, leaving Peter to unknowingly take a total stranger on a honeymoon. As the groom realizes his error, he seeks out his beloved, who is now trapped in an aged body, forcing the couple to navigate through unexpected challenges involving commitment, physical appearance, and arguments over how much to tip at Denny's.