Museums & Galleries in Ogdensburg

As the leaves began to slip into their autumnal shades in September of 1988, Ottawa’s artists won a years-long battle to secure their city a municipal art gallery of its very own. Built with the hopes of showcasing the unique energy and voices of the local artistic scene, the Ottawa Art Gallery (OAG) has, in the two decades since its founding, upheld its advocacy and celebration of municipal talent with an ever-changing roster of exhibits. An ongoing lineup of interactive programs and events cultivates a community of art lovers and sparks cultural discussions. Meanwhile, kids' art camps bolster the creativity of local youngsters and the egos of any cryogenically defrosted Monets in attendance. The OAG also houses the Firestone Collection of Canadian Art, a compendium of upward of 1,600 homegrown masterpieces from the modern period featuring celebrated artists including Emily Carr, Jack Shadbolt, and Paul-Émile Borduas.

The Kingston School of Art & Window Art Gallery nurtures budding creativity through comprehensive courses in painting, drawing, sculpting, and printmaking. Like a phoenix rising from a pile of used paintbrushes, the school arose as teachers and students rallied to keep art in the community after the closing of St. Lawrence College's art program. The nonprofit, volunteer-run organization works to share fine art with students of all ages, regularly hosting exhibits to cultivate awareness and fight the scourge of blank canvases. Featured classes include fantasy drawing workshops as well as oil painting with Ontario artist Bruce St. Clair and pastel workshops with award-winning Ottawa artist Margaret Ferraro.

In the days when nuclear weapons were deemed an imminent threat, when Cold War tensions were running high and morale was running low, the Canadian government braced itself for the worst-case scenario. If an atomic bomb were to be launched toward North America, Canadian government officials would burrow deep underground, hibernate, macramé some friendship bracelets, and regroup. The bunker built to receive them—whose chambers and tunnels lurk four storeys deep in the earth and stretch over more than 100,000 square feet—was named Diefenbunker.

Today, Diefenbunker’s 1960s-era cryptographic areas, computer room, Emergency Government Situation Centre, and living quarters ask visitors to muse on what could have been had a humanity-uniting alien invasion not brought an end to the Cold War. Guests walk the chilly hallways on their own or follow a tour guide, listening to echoes bounce off the ribbed steel of a cylindrical blast tunnel, wending their way through the prime minister’s personal quarters and the Bank of Canada vault, and gazing at a CBC radio studio, whose signals never needed to take over the airwaves.

The nuclear-shelter-cum-museum uses educational programming and events, such as a children’s spy camp, to educate those who remember the Cold War and those for whom it is as distant in history as the day George Washington announced that curlers were not just for women. Visitors to the national historic site can take a piece of their experience home by stopping in at The Cold War Store, where they can pick up nuclear-protest buttons, spy toys, and Cold War–era military-surplus items such as ration packs.