During a trio of deftly danced works, Miami City Ballet's Program I captures the playful exuberance of Jerome Robbins' Fanfare, the provocative sensuality of George Balanchine's Bugaku, and the high-leaping grandeur of Theme and Variations—Balanchine's opulent ode to tippy-toes set in a dazzling 19th-century ballroom. Choose from the following options:
Daniella Krizan earned her dance teaching credentials the old-fashioned way—by training extensively in the art form. She studied for nine years in Belgrade, focusing especially on Russian techniques, before going on tour and performing throughout Europe. Today, Daniella has returned stateside to share that expertise at European Dance Academy. She introduces classical and modern ballet techniques to students ages three and up, helping youngsters begin their artistic schooling and adults refine their swan impressions.
The Ultimate Thriller pays homage to the King of Pop with a multimedia entertainment extravaganza. A vibrant light show, eye-grabbing video footage, and the choreography of Mic Thompson—who worked with Jackson for nearly a decade—form a peeper-pleasing team that rocks retinas. Eardrums, in the meantime, are swaddled by the sounds of signature hits such as "Man in the Mirror," "Beat It," and "Billie Jean," a benefit song for 1982's two least popular baby names. Over the course of two hours (including intermission), the show synthesizes elements of Jackson's BAD and Dangerous concert tours with material from Thriller, Off The Wall, and his days in the Jackson 5. Enjoy the whole past-blasting blowout from the comfort of the Coral Springs Center for the Arts' fully enclosed balcony, part of a nearly 1,500-seat theater whose layout allows every audience member to feel a sense of connection with on-stage performers without the formal bonding experience of a tandem bike ride.
In a mixed repertory concert, Boca Ballet Theatre’s troupe of dancers flutters and floats across the stage to the choreography of co-artistic director Dan Guin. "Spring Fever" borrows from both classical and contemporary ballet and elicits awe throughout the 520-seat theater with dazzling jazz flourishes, speedy costume changes, and dancers who solve Rubik's cubes with their feet. Guin’s “Bubblin’ Over” strikes modern chords as dancers twirl and pirouette to music by Grammy Award-winning crooner Michael Bublé, and comedic folly injects new life into Ballet Russes’ classic “Graduation Ball.” The lively production also marks a world premiere of Guin's new original work, “Voyage Classique.”