When visitors step into one of the South's largest children's museums, there's one thought that commonly crosses their minds: That's a big kid. Waiting to greet them is a 40-foot-tall statue of EDDIE, a reinforced, molded-plastic boy who weighs 17.6 tons and—like almost everything at EdVenture Children's Museum—is ready for kids to explore. After they've climbed inside his heart, up to his brain, and slid down his intestines—all while learning about their own bodies—kids race to explore the rest of the museum's more than 350 hands-on activities contained within nine exhibit galleries. As a testament to its attractions, EdVenture Children's Museum received the 2011 National Medal for Museum and Library Service, an honor given to only 10 libraries and museums in the nation.
Past Eddie, EdVenture’s permanent exhibits include the World of Work, where kids climb aboard a John Deere tractor, take the helm of a 24-foot fire truck, and learn the value of money by spending Eddie Bucks on groceries or flooding the market to undermine the local economy. At the Aha Factory, wee ones recycle everyday items into paper snowflakes, pipe-cleaner butterflies, and glitter-encrusted egg cartons. Children 3 and younger, meanwhile, can explore the My Backyard exhibit, an age-appropriate haven of soft surfaces.
Using hand-finished and hand-carved frames from all over the world, the crafty staff at Havens Framemakers & Gallery prepares artwork and memorabilia for perching stylishly on walls. While specialists stand by for free consultations, clients peruse more than 5,000 moulding samples and matting options of varying colors, textures, and scratch-‘n’-sniff scents. Diplomas can be framed for around $100, and small items such as cross-stitches and children’s drawings can be framed for $100 or less. From portraits and needlework to mirrors, framesmiths delicately handle all items in their large workspace and employ high-quality equipment for making accurate cuts on mats and frames. Also, Havens’ shadowbox-framing services help preserve three-dimensional prized possessions such as soccer trophies and medals from Law and Order: SVU marathon watching contests.
Villa Brazil bedecks bodies of Northern climes with wearable wares of Brazilian origin. Browse handcrafted jewelry imported from Rio, or adorn style-craving shoulders with a wide array of handbags ($32.50 on average). Surf-seeking stylistas can slip into bikinis ($49 on average) of the Brazilian, American, and Martian variety, and flip-less feet can flop with more than 20 types of Brazilian Havaianas sandals ($16.50–24.50). Villa Brazil also stocks handmade scarves, soccer jerseys, and crafts.
Run by local painter Jackie Humphries, Tag it Art instructs aspiring aesthetes in the art of art. Adult night courses offer hands-on instruction paired with the muse-summoning powers of bringing your own beverage. During class, students sip and paint to produce pompous peacocks and enchanting Eiffel Towers, bringing home 16” x 20” masterpieces. Tag it Art's relaxing atmosphere is ideal for a night out with friends, book club buddies, or fellow kitten-lovers. Adult classes are held on Tuesdays and Fridays from 7–10 p.m.
The Lucy Craft Laney Museum of Black History is a House-Museum, and is alive with activities that represent what Lucy Craft Laney lived and worked for in the Augusta area. In addition to exhibitions and lectures, the museum provides arts, history, preservation programs and storytelling activities.
When John Drayton broke ground on Drayton Hall in 1738, he had no idea that his estate would survive the American Revolution, the Civil War, an earthquake, and numerous hurricanes. The stories contained in the building’s walls span seven generations of history tied to the Draytons and the Bowens family, an African American family that lived and worked at Drayton Hall before and after emancipation. Since 1974, when Charles and Frank Drayton sold their ancestral home to the National Trust, visitors have been able to transport themselves into the past with more ease than rubbing the beard at the Lincoln Memorial.
The main house, a sweeping example of Georgian Palladian architecture, is the oldest near-original, unrestored colonial home in the United States. Like a helpful ghost, the grand rooms and original fireplaces whisper history into the ears of all visitors, telling tales of British and colonial soldiers who occupied the house during the American Revolution. Views from the portico are filled with drooping trees, spanish moss, and a grand driveway. Surrounding the estate, an undisturbed historic landscape backs up to the Ashley River, and also encompasses A Sacred Place, the oldest African American cemetery in the country still in use.