Roving Imp Theater & Coffee House—the only improv venue in Kansas—showcases the madcapped, off-the-cuff antics of improvateurs culled from across the U.S. and abroad. Comedic illusionists conjure one-act plays, making characters, scenes, and plots appear out of thin air using a complicated system of smoke, mirrors, and audience suggestions. The schedule changes as regularly as the star performer in a one-man adaptation of Cats, but recurring acts include Serial Cereal, an improvised sitcom that follows a family of wrestlers through weekly episodes, and RI Spectacular, a Whose Line Is It Anyway?-style game show.
Spurred by a drive to instill children with a love for the arts and to build their self-esteem, professional actor Miles McMahon helms an array of educational programs at Theatre of the Imagination. He and his staff of local theater lovers build on more than 2,000 successful children's theatrical productions through creative summer camps, acting and performance classes, special workshops, and birthday parties for performers in prekindergarten through ninth grade. Miles writes a completely new work for each class and camp, using the script to immerse students in a cooperative, creative environment while freeing them from the pressures of lead roles, auditions, and autographer's elbow. Staff members can also conduct Movie Star Acting birthday parties, where they shoot a short film with the birthday child as the star.
The performance begins with Kansas City Symphony Music Director Michael Stern leading the ensemble through Maurice Ravel's 1919 Le Tombeau de Couperin, a four-movement orchestral homage to baroque composer François Couperin. Next, the evocative melody of Samuel Barber's 1947 lyric rhapsody for orchestra and voice, Knoxville: Summer of 1915, fills the air as Ms. Murphy narrates scenes from author James Agee's dreamlike childhood memoir. After a brief intermission for flutes of champagne and handfuls of de-sloppied sloppy joes (also known as Dapper Dans), Gustav Mahler's Symphony No. 4 sneaks into the concert hall with the jingle of two sleigh bells, then erupts into a ghostly scherzo that builds to a solemn march before finally reaching a gentle conclusion with the soprano's bucolic, childlike warbling.