Every Thursday through Saturday night, two pro piano players sit down at Jive and Wail's two baby grand pianos and proceed to bang out Top 40 hits from a plethora of eras, including time that has not yet come to pass, though these future-songs cannot be heard by present-day ears. Audience participation is not only encouraged but demanded by the dueling pianists—who are not above threatening their audience with atonal jazz if no song requests are forthcoming. Once you've made your request, the bar's high-tech sound system makes sure you won't miss it while refreshing your tipple at the full-service bar.
Beloved boy bands New Kids on the Block and the Backstreet Boys rev the engines of adoration among droves of fans with their poptastic summer tour. New Kids on the Block has been plucking heartstrings and handcrafting harmonies since 1986, combining a collection of international hits such as "Hangin' Tough" and "Step by Step" with five-part choreography and fashionable duds. Following in its footsteps, the Backstreet Boys began blowing up charts in the '90s, producing a songbook replete with favorites such as "I Want It That Way," "All I Have to Give," and "Everybody (Backstreet's Back)." The NKOTBSB Tour brings both acts together for a songful extravaganza, forming the more perfect union prophesied nearly 50 years ago by the Constitution. The Tuesday, July 19 concert also includes the vocal virtuosity of special guest and Glee star Matthew Morrison, adding to an ear-pleasing stew of dulcet melodies sure to soothe the most savage beast or most irascible mail carrier.
Off Broadway—heralded as 2010's Best Rock Club by the Riverfront Times—lures in crowds several nights a week with a barrage of local bands and national touring acts of all genres. On Thursday, July 28, singer-songwriter William Elliott Whitmore performs with Strawfoot, an old-time revival country band with the requisite fiddle, banjo, and washboard abs. tune-yards annexes the venue on November 8 with violently convivial ukulele jams augmented by African-inflected vocal gymnastics, looped drums, and a duo of synchronized saxophonists. Musical Merry-Go-Round matinees amuse kids monthly on Sunday afternoons with entertainers such as Super Stolie on August 14 and Little Miss Ann on September 11.
The floating oak dance floor of U Can Dance Studio has been privy to myriad styles of fancy footwork since its inception in 1991, from ballroom and swing to hip-hop, disco, and samba. Stretching across 4,000 square feet, the pristine surface supports the nimble soles of the studio's certified instructors, who expertly lead students of all ages and levels during group classes and private lessons. Public dance parties beckon pupils to show off their newly gleaned skills and pictures of their dog wearing a tutu to one another in an encouraging environment.
For more than 25 years, The St. Louis Funny Bone has hosted national touring acts and local comedic talent in its cozy club for diverse 90-minute stand-up sets. While headlining jokesters dominate weekend slots, humorous hopefuls can sign up for Tuesday night open mics. During open mics, 12 to 20 performers test out their material in four-minute slots. The club strictly adheres to the time constraint, reprimanding participants who exceed 240 seconds with a month-long ban from the club and a nuggie administered by the nearest carrot top. Up to 300 attendees per show can witness these plunders and successes while sitting in either the VIP or general admission areas. Both sections offer alcoholic and nonalcoholic beverages, along with appetizers such as pizza slices, chicken wings, and toasted raviolis.