At Lauridsen Ballet Centre, the well-timed tinkling of piano keys accompanies each leap and plié. Live musical accompaniment is just one of the ways in which the school's professional instructors, led by artistic director Diane Lauridsen, preserve the classical traditions of their art. They maintain a careful balance between encouraging attitudes and rigorous lessons, cultivating physical poise at the same time as mental focus.
Classes for ages three and up accommodate all skill levels, from beginner to pre-professional, and performances through the non-profit South Bay Ballet company showcase students' skills. Though they consider much of their choreography timeless, the staff does not neglect advances in the science of dance—they incorporate current discoveries in the fields of anatomy and movement to enhance both children's and adult classes. Their summer camp intensive also helps attendees to achieve new levels of grace and balance.
The Camarillo Academy of Performing Arts’ instructors bring an impressive list of awards and professional credits to their roles at the facility, where more than 10,000 square feet of sprung floor welcome toes of all ages. Within the six studios, all equipped with floor-to-ceiling mirrors and surround-sound music systems, aspiring dancers join group lessons, intensives, and recreational adult classes. Traditional dance curricula range from ballet to hip-hop; aerial classes teach students to spin in the air on suspended silks. There's a program available for every age, style choice, number of extra legs, and desired level of studiousness, whether pupils are looking for an after-school activity or hoping to land a spot in the resident dance company.
The instructors at Airealistic Circus & Flying know a thing or two about gravity, having defied it on behalf of Cirque de Soleil, De La Guarda, and Franco Dragone productions. For example, program director Carmen Curtis uses a foundation in gymnastics to elevate her cirque routines, which she showcases as a member of Airealistic Theater Company. These experiences grant her the expertise to lead her aerial classes, which are taught alongside gymanstics and yoga classes. Whether teaching family circus or acroyoga classes, all staff members prioritize safety as they introduce kids and adults to aerial apparatuses.
In addition to gymnastics, booty bar, and Vinyasa yoga sessions, the trainers teach AIReal Yoga, Acro and Tumbling, Hatha yoga, Power Barre, Barre Fitness, Contemporary Dance, Pilates and Afro-Brazilian Dance, believing that one's choice of style reflects his or her own unique character. Their aerial and acro-yoga variations also encourage students to test their notions about human flight in a noncompetitive setting. Each class incorporates a fitness component into its exhilarating routine, and the schedule includes classes at all times of day.
A frequent finalist for Best Comedy Club according to Ventura County Reporter's readers, Ventura Improv Company offers the only improv comedy in Ventura and has been eliciting chortles and guffaws with family-friendly farce for the past 21 years. The VIC's veteran comedic combatants perform unscripted comedy through scenes, games, and music created on the spot. The VIC performs shows such as Spontaneous Broadway, a full-length musical whose plot is conceived through audience suggestions, and TheatreSports Team Match, a two-team battle where competitors perform a challenge set by the host.
Got Rhythm Dance and Performing Arts Center's instructors begin cultivating kids' balance and grace at a young age. Their predance classes welcome pupils as young as 2, the age when humans grow their first pair of legs. Toddlers bounce through the basics of ballet, tap, or hip-hop, as do older children and teens in dance classes. More seasoned students can also tackle contemporary dance or jazz.
Writer and performer Tom Dugan—familiar from bit parts on Friends and Curb Your Enthusiasm —corralled three nominations from the L.A. Stage Alliance Ovation Awards, including Best Play and Best Leading Actor for his portrayal of the "Jewish James Bond" in his riveting, one-man performance about a Holocaust survivor's relentless quest for justice. Pacing through his box-cluttered Vienna office on the day of his retirement, Simon fills in a group of off-screen American students on the tactical methods he used to hunt Adolf Eichmann, Franz Stangl, and Dr. Mengele, among other Nazi war criminals. He infuses his anecdotes with mordant wit and genuine warmth, laughing over being mistaken for Laurence Olivier (who played him in the film The Boys From Brazil) one moment, and making mournfully poetic observations the next, such as likening a sunflower to a periscope of the dead. As his memories wander from the Warsaw ghetto to Jerusalem, from death camps to the slums of Buenos Aires, he paints a gripping portrait of humanity's unquenchable thirst for justice even in the face of utmost horror.