Dance Place first leapt onto the scene more than three decades ago as an educational and performing arts company that toured local schools. In the years since, it has grown into a multi-faceted operation and source of both entertainment and instruction.
Every weekend, Dance Place dazzles crowds with performances in modern dance, African Dance, performance art, and spoken word. Rather than hiring a sketch artist to doodle each dance step into a flipbook, spectators can learn the moves they see on stage by enrolling in one of Dance Place's programs, or by dropping into an adult or children's class. Dance Place has remained true to its roots through its continued support of local schools, and to this day organizes family-friendly performances, workshops, and school assemblies.
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The young Italian tenor trio Il Volo impresses audiences with pitch-leaping vocal performances rich in three-part harmonies. Performing renditions of classic Italian songs as well as material penned by contemporary songwriters, the teenage opera singers showcase budding international appeal and the promise of a bright future that consists of crooning crowds and autographing customs slips at airports. Opening act Ethan Bortnick, a 10-year-old piano prodigy known as the youngest entertainer to headline his own concert tour and attempt to purchase a monster truck, starts out the night with original piano compositions as well as recognizable classics.
Formed in the glory days of heavy metal, Queensrÿche rocks audiences with songs that reveal the fierce polish of 30 years of evolving artistry. The band's distinctive mix of prog rock, metal, and subliminal messaging rocketed their Empire album up the charts, launching hits such as "Silent Lucidity," "Jet City Woman," and "Best I Can." Normally reserved only for members of Queensrÿche's fan club, a backstage meet-and-greet lets a small group of the devoted make personal connections with the four lords of loudness, shaking their lightning-fast hands and comparing headbanging techniques. With experience opening for Nickelback and Staind, opening band The Fifth's wailing guitars rally fist pumps and head thrashes as raging as a riverbed full of angry bulls.
Looking to wrap their cerulean pincers around the Atlantic League’s Liberty Division with a dominant second half, the Southern Maryland Blue Crabs drown opposing batters under a steady stream of fastballs and outfield dives. Fresh off his career as a Blue Crabs player, first-year manager Patrick Osborn befuddles pitchers with a lineup of crustaceous power swingers that redefines what it means to pinch-hit. Hurler Michael Schlact continues to compose symphonies of whiffing bats with an ERA of 3.72, and June 2011 Player of the Month Yunesky Sanchez casts a defensive net over the shortstop position and marauding Hamburglars.
The graceful ease with which a good bartender mixes drinks masks the difficulty of the job, one that requires knowledge and dexterity—not to mention charisma. The seasoned barkeeps at Bartender of America, a TIPS-certified school, know what it takes to be a good bartender and lead their students through deliberate exercises inside a fully simulated tavern environment. Amid ambient sounds and music, novice bartenders dole out maraschino cherries and shake martinis while refining their conversational skills and learning how to identify underage kids by their mustaches. Fully committed students can opt for the entire Bar 101 curriculum, attaining a bartending license and valuable tricks for managing their resume and acing job interviews, while abbreviated classes offer insight into the fundamentals of the trade.