When it opened in 1927, the Florida Theatre was the largest of 15 cinemas in downtown Jacksonville. Today, it's the city's last surviving vestige of that era's iconic architecture. Designed by New Yorker R.E. Hall and Jacksonvillian Roy Benjamin, the venue is a prime example of the Mediterranean Revival style, with a ceiling covered in glittering stars and a six-story proscenium arch. And even as the entertainment industry shifted towards television, the Florida Theatre survived by hosting interactive game nights and concerts from underground artists, including Elvis Presley. The space was renovated In the early 1980s, and today it returns to its entertaining roots by hosting live events and classic film screenings.
Jackrabbits, one of Jacksonville’s primary downtown live music venues, is an intimate home for local and national bands like The Hives, Slightly Stoopid, Incubus and many others. The newly renovated bar area serves beer and wine only – though the selection, while focused, features many otherwise hard-to-find craft brews. Though this venue can get quite crowded depending on the act, tickets are reasonably priced and guests can always get an up close and personal experience, thanks to the limited floor space. The nondescript entrance can be hard to spot, as it’s little more than a gray door with the name Jack Rabbits scrawled across. The décor is typical dive bar, dark and grayish with sturdy seating, while most of the focus is on the stage, where lighting and sound are top-notch.
They tell a tale to quake your bones at Warehouse 31?on October 13, 1875, a woodcutter by the name of Billy Turner killed his nine-year-old daughter in a horrific accident. Unable to cope with his grief, Turner killed himself. But the pain was too great for death to assuage. Soon Pelham was under siege from a series of mysterious events. A young girl found roaming unattended along a railway. The sound of a chainsaw echoing from the forest. Glass doors sliding open as soon as somebody stepped in front of them. Today, Warehouse 31 stands on the site of that ill-fated lumberyard, and guests can experience some scares of their own, thanks to a cast of monsters, high-tech animatronics, and gravely unhinged clowns.
Unveiled on Broadway in 1966, Cabaret has since spawned award-winning films and innumerable productions in playhouses and dental-office waiting rooms across the globe. The classic musical delves into the volatile Berlin of 1929 as it chronicles the patrons and performers of the decadent Kit Kat Klub, particularly its star songstress, Sally Bowles. Her tumultuous relationship with aspiring author Cliff Bradshaw progresses parallel to the tentative romance of a German boardinghouse matron and a Jewish fruit vendor—both of which are thrown into jeopardy as the sensual and artistic freedom of the Weimar Republic gives way to the jackboots of Nazi Germany.
The IceHouse Theatre has been delighting audiences with professional productions for more than 60 years. From March 18 through April 9, critics can soak up the drama juices of Bingo. This Groupon is valid for any showing on Thursdays (7:30 p.m.), Fridays (8 p.m.), and Saturdays (8 p.m.). Bingo tells the story of three female friends who encounter danger, romance, and a mysterious stranger as they soldier through hurricane warnings to finish their weekly bingo game. Attendees can expect energy, laughter, and a curse upon anyone whose paper-cup-and-string phone rings during the show.
Formed in the glory days of heavy metal, Queensrÿche rocks audiences with songs that reveal the fierce polish of 30 years of evolving artistry. The band's distinctive mix of prog rock, metal, and subliminal messaging rocketed its Empire album up the charts, launching hits such as "Silent Lucidity," "Jet City Woman," and "Best I Can." Normally reserved only for members of Queensrÿche's fan club, a backstage meet-and-greet lets a small group of the devoted make personal connections with the four lords of loudness, shaking their lightning-fast hands and comparing headbanging techniques. Opening band Driven thrashes through a set of classic hard-rock covers and original cuts as raging as a riverbed full of angry bulls.