At Crowley Museum and Nature Center, a pioneer museum set up like a general store, historic structures, and a sugar-cane mill depict a Florida homestead as it would have existed between 1850 and 1920. At the heart of the homestead is the Tatum-Rawls House, which was built as a single-story house between 1888 and 1892, and is the oldest example of rural architecture in Florida. Over time, it was expanded to accommodate the Tatum clan, by the addition of a second floor, consisting of William Tatum and his wife and eight children, and was recently restored to its original glory with a wide front porch. Elsewhere on the 185-acre expanse, the Crowley Farm continues to pluck away at the land with pigs, cows, and a horse named Sugar who pulls the cane press to make the juice that is later boiled to syrup crystals. Boardwalks and nature trails traverse the delicate swamp, flat woods, and Tatum Sawgrass marsh that contain a variety of wildlife species including white pelicans, swallowtail kites, and eagles.
For owners Jo Massaro and Karen Ierna, Benjamin's Studios is all about creativity. They showcase this passion for creativity with the imaginative hairstyles and glowing skin they impart in the salon and spa, but also in the Treasure Island facility's onsite art gallery, which displays work from local artists. There's even a fashion boutique overflowing with men's and women's clothing and accessories.
Jo and Karen primarily put their 30+ years of hair experience to use in the hair studio. Here, they craft new 'dos using foil highlights, perms, and straightening techniques—techniques the designers of Pisa's famous tower boldly ignored. The spa’s aestheticians, meanwhile, release stress by rendering massages, mani-pedis, and ionic footbath services. They also perform eight skin-type-specific facials, such as teen, men's, and problematic, and they enhance them with aromatherapy and Chakra testing.
Inside a building in St. Petersburg, works of art from around the world gather like good friends. Georgia O'Keeffe's Poppy hangs not far from Paul Cézanne's A Corner of the Woods, Pointoise. Claude Monet's Houses of Parliament gives a glimpse of faraway lands, while Thomas Moran's Florida Landscape stays closer to home.
With a range of permanent and rotating exhibitions, the Museum of Fine Arts seeks to engage visitors with art while preserving the pieces in its care. Much of the collection resides in an original 1960s building, but an adjacent modern gallery draws in visitors with special exhibitions, an art library, and interactive educational facilities—ensuring they have plenty of ways to experience art or at least overcome a fear of informational plaques.
Who They Are
Even before the Museum of Fine Arts opened to the public in 1965, founder Margaret Acheson Stuart saw its galleries as a space where diverse audiences could explore art "from antiquity to the present." Architect John Volk had designed the original museum wing to instill visitors with a feeling of solidness and permanence. Decades later, the museum sought to expand, and conducted a nationwide search for a worthy architect. They were rewarded with designer Yann Weymouth, who completed a second building in 2008—a two-story, modern glass conservatory.
Built in 1918, the Craftsman House's expansive, adobe-toned bungalow collapses time as visitors step onto a breezy veranda, walk past a lush carpet of flowers and fronds, and witness more American craftwork than they can shake an intricately whittled stick at. Blown glass, turned wood, and fine pottery and jewelry provided by a 300-strong network of local and national artists are just a few of the pieces that settle in at this homey abode. The building is so homey, in fact, that one artist hardly ever leaves. Surrounded by the courtyard, what was once an old-time carriage house is now the clay-caked studio of professional potter Stephanie Schorr. There, visitors can find her partway through many projects at once, crafting functional wares and feeding the carnival fire breathers that keep her kiln hot.
The historic hub of creative know-how hosts a multiplicity of events, including live music, gallery tours, and artistic workshops. In honor of the gallery's tireless community efforts, Craftsman House was named the 2011 Top Retailer for a Charitable or Philanthropic Event by Niche magazine.
A pirate ship hangs suspended in midair. Tennis balls rocket toward the ceiling. Plastic robots jolt to life. Recipient of a 2008 MetLife Foundation award for promising practices, Great Explorations Children's Museum incites creativity and inventiveness from visitors of all ages with a constantly rotating lineup of interactive exhibits that fill 18,000 square feet with touch, light, and sound. Pulley towers allow children to hoist themselves into the air, and a mock fire station thrills wee visitors with a fire engine, child-sized firefighters' gear, and microscopic dalmatians. Museum guides lead lesson programs in a multidisciplinary style, though visitors can also find the friendly professionals and their orange polo shirts bouncing between exhibits while performing science experiments, dancing, and playing music.
Themed events let visitors discover the museum's potential through focuses such as "Superhero Saturday," "Slightly Spooky Boo!seum," and "Winter Wonderland," and seasonal camps explore annual topics such as the life cycle of a bunsen burner.
Much like professional skydivers, wily coyotes, and other careers that involve a degree of danger, most professional glassblowers aren’t self-taught. Joshua Poll, however, learned to harness the glass furnace all by himself, today imparting more than a decade of self-taught experience to Zen Glass Studios, where he and fellow glass smith David Walker create custom works of art by hand. Together they shape glass into authentic and unique pieces, including custom glassware and jewelry to wear while meeting a spouse’s goldfish for the first time.
Within their studio, Joshua and David teach workshops and classes, during which students survey basic to advanced glass-blowing techniques, crafting their own handmade objects such as ornaments, beer glasses, and vases. The duo also runs a full glassblower training program, which follows a syllabus structured to arm all students with all the necessary skills to set out on their own in the industry, just as Joshua did all those years ago.