Once the lights dim in the main auditorium at Camelot Cinemas, eyes can’t help but fixate on the glimmering digital images that flicker across the towering 60-foot screen. Nestled comfortably in reclining chairs, audience members dig into buckets of popcorn and gape at the latest blockbuster films while a THX-certified sound system croons a crystal-clear soundtrack. Theatergoers enjoy a similar experience in Camelot Cinemas’ other auditoriums, where they can laugh through cheerful romantic comedies, find the courage to watch petrifying horror flicks, and fight back sobs during the heartwarming premovie message about turning off your cell phone.
As they await the opening credits of The Goonies, The Birds, or perhaps the newest blockbuster release, moviegoers peruse a menu of hot wings, personalized pizzas, and oven-hot brownies topped with ice cream. Upon making a decision, the guest scrawls their chosen meal or snack onto an order card, and places that card in the designated spot on his or her table. A server stealthily delivers the requested soda, breadsticks, or honey chipotle wings while the film plays. Audience members can keep ordering food for the duration of the film, especially if an emotional scene demands an bowl of ice cream to catch stray tears. Just before the credits start to roll, the server silently deposits the check, and patrons digest as the tale winds to a close.
For more than 60 years, the Cherokee Historical Association, a nonprofit cultural organization, has immersed visitors in live recreations of the history and daily life of the Cherokee people. Nestle into the 2,000-seat outdoor amphitheater for a presentation of Unto These Hills, an outdoor drama that's said to have been performed for more than six million visitors and 60 billion insects since its debut in 1950. The adventure begins with the Europeans’ arrival in the New World and navigates audiences through the tapestry of time, ending with the Cherokees’ tragic journey on the Trail of Tears.
The Private I Club hosts events for up to 200 people, deftly matching its style to that of its clients. Inside the club, a large banquet hall houses either tables or a dance floor, abutting a richly furnished, fully equipped bar. Windows provide views of the next-door neighbor and the swimming pool, which stretches from indoors to out. The rest of the 5 acres boasts scenic greenery and plenty of parking for guests.
Ripley’s has enthralled audiences for more than nine decades with its dedication to revealing odd and unexplainable rarities from around the globe. But it all began with one man: Robert Ripley, a wildly successful and eccentric character who rose to fame during the first half of the 20th century. After selling his first cartoon to Life magazine at age 14, he set out on a quick-paced career of drawing sports cartoons for the New York Globe. During a slow day at the office, he sketched nine unusual sporting events and finished his work with a title: “Believe It or Not!” It became immensely popular, allowing Ripley to travel the world in search of more bizarre stories to put into his comic strips. While visiting relatively unknown areas in locales such as India, China, and the inside of his neighbor’s chimney, he picked up a slew of unbelievable souvenirs that later became fixtures in several of Ripley’s museums, or as they’re affectionately called today, Odditoriums. Ripley’s now encompasses publications, attractions, a television show, and a blog, all of which carry Ripley’s tradition of reporting on the world’s curiosities.
Within Studio Movie Grill's expansive auditoriums, towering screens enrapture audiences seated in plush leather recliners and at dining tables. As the familiar celebrity faces in blockbuster and cult-classic features deliver Oscar-worthy lines, sneakily quiet waiters deliver meals from a full menu decorated with more than 100 items, including gourmet pizzas, smoked ribs, and cocktails infused with the spirit of Daniel Day-Lewis. Bartenders at the lobby bar dole out glasses of premium liquors, wines, and draft beer before and after shows.