As visitors to The White Rose turn down the property's drive, they're instantly transported to a simpler time: on the left, a lush lawn sprawls before a house not yet visible, and on the right, rows upon rows of grapes keep rank to form a four-acre vineyard. Twisting around the bend, then, the house appears, with its elaborate porch, elegant columns, and white limestone reminiscent of Ireland's "penny walls."
Built in 1900, the home preserves its fair share of history, and today, it bridges the gap between generations by keeping its door open to guests. Four of the house's rooms serve as bed and breakfast getaways, each outfitted with antique furniture and decorative accents. The estate also churns out its own wine with an intricate, handcrafted process, which it shares with visitors during tastings in the parlor.
Looming 19 stories above the Oklahoma landscape, the Price Tower Arts Center was originally designed as the world headquarters for the pipeline masters of the H.C. Price Company. However, even at the time of its opening in 1956, the Prairie-style cantilevered building's origin far outstripped the reputation of its intended tenants: the tower is Frank Lloyd Wright's only completed skyscraper. The H.C. Price Company moved on in 1981, but its famous former home remained; today, the National Historic Landmark stands tall as the Price Tower Arts Center—a monument to American architecture and design of the 20th century.
Inside, a range of rotating special exhibits often focus on the designs of Frank Lloyd Wright as well as works by modern artists, both past and living, from around around the world. These exhibitions include work from the center's permanent collection, which spans drawings, furniture, textiles, and samples of building design from some of the era's finest architectural minds. Docents regularly reveal facts about these pieces of art, and the design of the building itself, on guided tours to its 19th-floor executive offices, art-filled lower mezzanines, and the secret shark tank under the elevator.
Several spirits have been said to haunt the Oklahoma lands, from black shadows racing through the forest to an oil-breathing beast raising its tentacles from the pools of black ooze. At Psycho Path Haunted Attraction, visitors test their courage within three fear-filled experiences amid the lingering legacies of such demons. Inside the Shadow Box haunted house, horrors roam the dimly lit corridors, bringing adventurers face-to-face with nightmares worse than those summoned by the student filmmakers in charge of their dreams. During journeys through The Dark Ride, visitors board a transport known as the Scareage and travel through mysterious forest paths hidden in a blanket of fog. Actors may pop out at any moment, adding suspense to every turn, just as the Rage Cage—a maze peppered with scary surprises—challenges those brave enough to navigate its twisting halls without any compass to point them back toward their home’s refrigerator magnets.
Since its founding 75 years ago in a graceful 1920s mansion, Philbrook Museum of Art has grown to become one of the preeminent art museums of the central United States. The cornerstone of its permanent collection is its wide-ranging survey of Native American art, from traditional basketry to 20th-century paintings. Other highlights include Renaissance and Baroque paintings from the Kress Foundation and an American art collection including 15 paintings by Andrew Wyeth.
Outside, the museum's 23 acres of grounds includes a lush garden whose trails run alongside native Oklahoma plants and plants that relocated to Oklahoma after college. An architectural addition features an auditorium, restaurant, library, and education studios, many of which host the Philbrook's interactive, enlightening programs and events. In the summer, these include daytime art camps for six- to 12-year-olds and a nighttime film series that screens features in the garden. The Philbrook's growing modern and contemporary art collections can be found at a satellite campus in downtown Tulsa, which also contains the Eugene B. Adkins Collection and Study Center of Native American Art.
Whiling away their vacation in a Swiss Alps chalet, Joe and Beth Henretty noticed a peculiar sound: nothing. The entire town moved at a pace much slower than that of their home in the States; without a car in sight, residents simply strolled to their destinations. Inspired by this way of life, Joe and Beth imported the car-free philosophy to Tulsa in 2005, buying their own bicycle cab and christening their new business Golzern Pedicabs after the chalet in which they'd stayed. Today, the duo and their two fellow drivers shuttle riders to and from concerts or obedience-school reunions while working solely for tips—both as an accommodation to any budget and as a further homage to Switzerland's laid-back lifestyle.
For a flat fee, the business—also known as Tulsa Pedicabs—captains tours that bounce among Tulsa's local eateries, where passengers sample fare at each stop and, sometimes, carry out agendas of their own. Once, on one of Joe's tours, a man proposed, and the Henrettys honored the occasion by pedaling the couple to their hotel on their wedding day—much like the Swiss nuptial tradition of dragging cans behind a saddled yak.
The joys of riding a bicycle are many and beloved by many. Smells, which are dulled to undetectable levels in four-wheeled transit, are piquant from the fresh-air perch of a bicycle seat. The scenery of the country or of the city—its alleyways, byways, and other quaint little ways—comes to life in a colorful panorama of shops, sidewalk folk, nature birds, and little dogs. Tom’s Bicycle outpost is located adjacent to River Parks, allowing velocipedalists to take to the park’s paved trails or wheelie over to the deceptively inedible Turkey Mountain. A helmet is included with the rental, ensuring that the vast collection of Oscar Wilde quips you have stored in your brain are well-protected.