Larry Rubino focuses 25 years of professional experience through his camera lense as he snaps planned and candid portraits that reveal each subject's uniqueness. During 60-minute photo shoots, up to 10 models can strike poses together at a memorable location of choice, such as the site of a family reunion or the spontaneous combustion of an uncle. Larry then deftly edits each snapshot before hosting perfected portraits on a private online gallery, and clients recieve three larger prints to decorate blank walls or mantels and eight wallet-size prints to adorn pocket billfolds. Larry Rubino has captured the likeness of many celebrities throughout his nine-year tenure at New York's Friar Club, as well as high-profile commercial superstars such as Johnson & Johnson, BMW, and Duff Beer.
Waltzing into the saloon with a Jack Daniels bottle in hand and two gals on his arm, the gunslinger stoically steps up to the bar and passes a pianist who stops serenading the regulars with his jangly tunes when he feels the outlaw’s presence. Though the sights and sounds of the old west sound like an atmosphere too seedy for families, Old Time Photo Studio invites kin to play the part of their favorite western figures at photo shoots within a frontier town gallery. For each shoot, participants don the garb of cowboys, bandits, and saloon girls before arming themselves with toy guns or the linguine lassos left over from spaghetti westerns. Photographers preserve every sepia-tone shot on CD, and patrons select their favorite images to keep as prints.
Wilson Camera Digital Lab & Portrait Studio opened in 1954, back when most photos were still developed on papyrus scrolls. Nowadays, digital gear fills the store’s two locations, but photographer Rudolph Henninger still brings old-school photography knowledge to his work in the shop, drawing on more than 37 years of experience behind the camera. He and his staff offer photography services for weddings and family portraits, teach photography classes, and work in their photo lab to digitally restore old photos.
When Mike Maez purchased his first digital camera in 2001, it was love at first snapshot. Swapping his previous day job for a life behind the lens, Maez has since filled his portfolio with more than 40 magazine covers, publishing work for Getty, the Boston Globe, and corporate clients including AOL, Microsoft, and Ford. This infectious enthusiasm extends to his portraiture, helping him immortalize wedding days, graduations, or sack-race victories with complete photographic packages rendered in digital formats or appealing albums. Mike also teaches students to become self-sufficient shooters with photography workshops, during which classes combine hands-on experience and classroom work to teach pupils how to attractively compose and light their shots.