Speeding tires sear the clay track at Millard County Raceway, where the area's boldest wheelmen sprint, draft, and slide with abandon around a quarter-mile oval. Amid the omnipresent sounds of revving engines and raucous crowds, drivers such as Scott Hardman—the 2012 Superstock champion—and IMCA modified standout Bryan Wordelman regale crowds with daring turns and fearless passes. The raceway hosts breathtaking races for mini and super stock cars, thunder trucks, and IMCA modifieds.
Benjamin Allen believes outdoor pursuits can positively influence those in need. This belief has led him all over the continent, building a ropes course for an orphanage in Mexico and setting up two courses for troubled youth at Provo Canyon School, a bit closer to home. Wanting to share his knowledge of nature with the public, he set up a course, CLAS Ropes Course, near Utah Lake nearly 20 years ago. Benjamin and his crew have since erected more than 50 ropes courses around the country, continuing to inspect ropes and train others how to run them.
CLAS Ropes Course continues to grow each year, creating obstacles such as a giant swing that releases passengers 40 feet in the air, a 400-foot zipline that whizzes through forest canopy, and a "leap of faith," where adventure seekers jump from a treetop platform to a trapeze. A log balance beam hung 30 feet above the ground and a 24-foot-tall rock-climbing tower test agility and endurance, and a fleet of 20 canoes lets paddlers navigate a mile and a half of river. Many of these structures play host to team-building activities focused on developing a group's creativity and tolerance for hearing one another sing. Staff members tailor their instruction to families, dating groups, or athletic teams. They often apply their approach to athletes, such as a professional golfer who traveled all the way from Texas hoping to conquer her fear of not qualifying for tournaments. She defeated the log balance beam, departed victorious, and qualified during her next tryout two weeks later.
Owned and operated by its guides, Runoff River Adventures has attracted some of the best river navigators in the business. Each guide has personally traversed more than 200 rivers, whose collective currents criss-cross countries across the world. The aquatic experts wield this experience as they guide kayaking and rafting expeditions down courses that can pass through roiling rapids or stick to calmer areas, such as goldfish bowls. Instructors also helm paddling and rafting courses, which focus on oar work and the art of the lake roll and river roll. Once they have mastered the basics, adventurers can confidently sally forth for self-guided tours in inflatable or non-inflatable kayaks, rafts, and innertubes that function as both flotation devices and very large headbands.
At each of Fat Cats' five locations, strikes and spares light up the screens of automatic scoring systems. Bowling balls roll and skip down lanes in normal conditions, against retractable bumpers, or under the fluorescent glow of Thunder Alley, when the facility transforms into a music-filled fusion of a bowling alley and dance club. Each lane's crashing pins echo the softer clacking of putters at the glow-in-the-dark miniature golf course and the ringing lightshow of the arcade. Elsewhere, the scents of pizza and deep-fried bowling balls waft through the fun haven. Each Fat Cats location partners with different restaurants, including The Pizza Factory at its Salt Lake facility and Champzz Bar at the Westminster location.
Originally written for Queen Mary’s 80th birthday in the late 1940s, The Mousetrap has since gone on to universal acclaim, with a diverse fan base that includes everyone from octogenarian monarchs to barely teething toddler theater critics. Barta Heiner directs the Covey Center’s production of the classic murder mystery, leading a talented cast of actors through a story of devious death and drama in a manor. The Mousetrap is the longest-running play in the world; by the time it reached its 25th anniversary in the 1970s, an estimated four million people had seen it—more than three times the amount that tuned in to see The Beatles make an elephant disappear on The Ed Sullivan Show in 1964.