Once commonplace in American moviegoing, the revival house itself now needs a revival. Enter Rosebud Theatre, whose single screen is solely dedicated to the films of Hollywood?s Golden Age?the theater even draws its name from one such film, Citizen Kane?s famed sled. Built around a new theme each month, the theater?s programming ranges from classic musicals such as Yankee Doodle Dandy to foreign staples such as Jacques Tati?s inventive Mr. Hulot?s Holiday. The intimate 94-seat theater shows every movie digitally, which allows CGI dinosaurs to roam Charlie Chaplin?s movies just as he always intended.
Though now known as Westwood Cinema, the classic marquee that hangs above its front entrance still bears its original name: Pascack. It opened under this name in 1928 as a venue for film and vaudeville performances. The theater would survive the decline of vaudeville and adapt to the audience's interests, upgrading from a single screen to four, and ending the tradition of prefacing every screening by giving away war-era jobs. Now, the cinema fills those four screens with first-run Hollywood hits.
Opened in 1924, the Lafayette Theatre first ushered filmgoers into the swashbuckling world of the French Revolution with the silent classic Scaramouche. And the movie palace, which is appointed with a grandiose French and Italian Renaissance style, has remained a Suffern touchstone by introducing 3D technology, CinemaScope, and, in the late 1980s, the Mighty Wurlitzer pipe organ. These days, jaunty organ tunes precede Friday- and Saturday-night features inside the renovated, single-screen theater, which specializes in first-run Hollywood flicks and classic cinema. One of the "great places to revel in cinematic grandeur," according to USA Today, the 942-seat theater surrounds visitors with ornate touches like a crystal chandelier, a red velvet curtain, and opera booths sans distracting Muppets.
Winners of the 2011 Grammy Award for best contemporary jazz album, the Stanley Clarke Band makes its first-ever appearance in Westchester on the historic stage of Tarrytown Music Hall. Leading the talented troupe of musicians, legendary bassist Stanley Clarke infuses each jazzy arrangement with a rhythmic pulse more graceful than a bald eagle singing “The Star-Spangled Banner.” Clarke's remarkable career—which began in the early 1970s—includes innovative work on multiple instruments, numerous film scores, and a lengthy discography that spans classical, jazz, R & B, and pop genres. Built in 1885, Tarrytown Music Hall has stood as a fitting abode to prodigious performers such as Joan Baez, Dizzy Gillespie, and Bruce Springsteen. Noted for its superb acoustics, the century-old institution has also played host to powerful guests such as the Rockefellers, who frequented the hall's elaborate flower shows and championship charades tournaments.
Hawthorne Theater opened in 1928, making it one of the first movie houses established in the area. And though at almost 90 years of age the space is older than most buildings in North America, it's recently undergone major renovations to keep up with modern technology. According to an interview with owner Jack Sayegh at NorthJersey.com, the fully digital five-screen cinema was outfitted with new carpeting and chairs, Real D and 3-D movie equipment, Dolby Surround Sound in all theaters, and human ticket-takers to replace the outdated robot ones. The article also cites that the theater?which has been independently owned since 1980?is maintained by Jack's father, uncle, and cousin, reinforcing its family-friendly nature.
Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo’s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it “one of America's most fanatically unique moviegoing experiences,” and Wired, which opined that it "might just be the coolest movie theater in the world."