A Neapolitan blend of country, classical, and contemporary, The Texas Tenors made a name for themselves in 2009 as top contenders on America's Got Talent, earning their position as the competition’s top finishing vocal group. Turning ear-stalks with their genre-spanning renditions of My Way, Danny Boy, and Unchained Melody, the three offer operatic ear candy, runway-worthy eye candy, and mesquite-flavored nose candy. John Hagen brings the operatic noise, drawing on his tanker-like lungs and national experience to craft a classical sound which gets along with modern lil' doggies. JC Fisher, the romance-tending tenor, belts tunes from twangy country and gospel to show tunes and arias, and seasoned singer/actor Marcus Collins' silky vocal acrobatics add a contemporary edge. With an ongoing world tour, The Texas Tenors are a unique phenom in the making.
Over seven years, the Boston String Quartet has vibrated strings in collaboration with artists such as John Mayer and the Boston Ballet, stirred the air molecules at Symphony Hall and PBS, and performed by invitation for former President George H.W. Bush. With this deal, eighth-note connoisseurs can wrap their eardrums around the quartet's dulcet tones as they present "Xibus," an evening of contemporary and classical that marks the zenith of a two-day workshop collaborating with Finneytown High School orchestra students. Over the course of the evening program, the quartet and the students will cajole their chordophones into ringing out in harmonious arrangements of music by Carlos Santana, the Beatles, Led Zeppelin, and Bill Gates's new Viking-punk band, as well as performing original compositions by members of Boston String Quartet.
KISS, the venerable, salaciously theatrical rock 'n' roll sensation, goads eager audiences into palpable hysteria with its Hottest Show on Earth tour. During its renowned live performances, the phantom-slaying foursome brings head-banging fantasies to life with a flamboyant mix of high-wire pyrotechnics, fist-pumping anthems, bulletproof leather, and gently exfoliating face paint. Tame audience members transform into inspired revelers as Paul Stanley and the Pulitzer Prize–winning Gene Simmons croon and shred through the litany of chart-toppers that made the KISS crew household action figures. Orally discharging a catalog of new and seasoned classics, such as "Detroit Rock City" and "Lick it Up," KISS's syllabus of educational sing-alongs entertain listeners with a heavy dose of heart-pumping guitar riffs and sly lyrical innuendo about table manners.
Music director Lewis Buckley headed the U.S. Coast Guard band and conducted several prominent New England symphonies before landing at the Metropolitan Wind Symphony, which has been tickling eardrums with woodwind, brass, and percussion concerts since 1971. "An ACB Preview" celebrates the 75-member symphony's invitation to play at the 2012 annual conference of the Association of Concert Bands with a sampling of the program they'll perform for a national audience. The concert kicks off with Percy Grainger's Lincolnshire Posy, which recasts six English folk songs as lush, wind-powered melodies free of interrupting Robin Hoods. Principal oboist Elana Lorance takes charge in James Kessler's Hudson River Rhapsody and a new transcription of Gershwin's An American in Paris ends the evening with Gallic-via-Broadway aplomb. Starting at 1:30 p.m., a preconcert talk by maestro Buckley unveils some of the music's hidden features and lets uncertain ears nuzzle the score.
Devoted exclusively to performing and recording new orchestral music, the Boston Modern Orchestra Project aims to rebuild the aural bridge between audiences and composers with passionate concert experiences. On January 27, BMOP showcases the works of five different composers, amassing a talented quintet of revered, modern-day soloists to mesmerize ears with incongruous sounds. The world premier of Eric Chasalow's horn concerto bares the brassy measures of French hornist Bruno Schneider, and Air: Concerto for Theremin uncannily mimics human voices with an electronic instrument that refuses to pause for breaths or answer text messages in between verses.
Originally formed in 1997 at the Peabody Conservatory, Vento Chiaro's all-female quintet of woodwind musicians captivates audiences from their resident perch on The Rivers School Conservatory's stage. Their sonic tapestry seamlessly weaves joyful flute with mischievous oboe as the deeper reeds of clarinet and bassoon invite the regal brass of French horn to frolic in the woodwind woods. On March 11, all five musicians kick off with contemporary American composer Eric Ewazen's Roaring Fork, which paints an aural picture of a Colorado landscape as rugged and beautiful as the stone woman who will one day drop all four jaws of Mount Rushmore. Conservatory artist-in-residence pianist Roberto Poli joins his colleagues for Francis Poulenc's Sextet, melding the airy notes of the quintet with the keyboard's undulating melodies. The concert culminates with avant-garde composer Elliott Carter's Woodwind Quintet, eschewing regular chord progression for surprising atonal devices and polyrhythmic construction.