A Peoria fixture since 2004, Arizona Broadway Theatre combines performances with fine dining, a marriage that helped garner the title of Best Playhouse from PHOENIX magazine in 2010. Curtains open to a cast of talented performers, who were culled from auditions in New York and the Valley of the Sun, and have belted out Broadway staples such as Grease, Fiddler on the Roof, and Singin' in the Rain. Servers glide through the tiered theater hall prior to performances, peppering white tablecloths with platefuls of American fare. Previous show's menus have included such dishes as steak diane's sliced tenderloin paired with saut?ed shallots and lyonnaise potatoes, which entertain patrons' stomachs without forcing them to eat the show's program.
For 37 years, Marilyn's Academy of Dance has set shoulders and feet a-shimmy with a limb-limbering roster of fun classes. Fleet-footed pupils unveil their latent rhythmic prowess in a plethora of styles, involving disciplines drawn from hip-hop, tap, jazz, ballet, and MacGyver's second season. Classes meet once per week for four consecutive weeks and welcome dancers ages 3 to adult, creating a fun environment full of first-timers alongside more experienced movers. Along with 10–15 other greenhorns, learn how dancing can unlock inner vaults of self-expression, discipline, and the mechanics of movement before moving on to more advanced steps and sultry glares.
Local thespians Matt McAuley and Richard Vines banded together with the Dysart Community Education Department to conceptualize Ghostlight Theatre on the tenets of entertaining and educating the community with the dramatic arts. The theatre's live productions give members of the community an opportunity to flex their theatrical muscles through acting, designing costumes, and pursuing careers as prop trees. Meanwhile, Ghostlight Theatre’s summer camps prepare budding thespians aged 10–18 for their moments in the spotlight.
Demonstrating inventive takes on old myths is par for the course at Great Arizona Puppet Theater, whose adaptation of Cinderella won the 2010 UNIMA-USA Citation of Excellence in puppetry. Behind the scenes, professional puppeteers guide the characters through kid-friendly narratives, both ancient and original. Their performances often include a timely moral that parents can discuss with children with the help of accompanying study guides, which encourage guests to analyze themes and ask questions such as "how can puppets talk if they have no brains?"
The puppet masters have more than 50 tales in their collective memory. They perform them in the historical, hand-painted theater space five days a week, as well as at area schools and functions. By crafting scripts that address Arizonian themes, including the conservation of endangered condors and figures in Native American folklore, they hope to educate and engage their young spectators. Guests can interact with the stories even further by adopting puppets from the onsite gift shop or by attending a private party, where they create their own hand puppets out of paper bags. Additionally, seasonal adult shows prove that puppetry can be as edgy as any other art form.
For more than two decades, The Mystery Mansion Dinner Theater has kept diners guessing with ghoulishly goofy whodunits. The rotating repertoire includes Murder at Greystone Manor, which takes place on the set of Golden Age Hollywood director C.D. Weasel's latest production. Before filming can begin in earnest, starlet Clara Simpleton comes down with a bad case of cold feet and cold everything else. Femme fatale and back-up actress Jewel Precious seems the obvious suspect, but the stunningly punny characters know well how to hide their motivations behind a flurry of gags and one-liners. Murder at Bedside Manor takes place in a shockingly OSHA-noncompliant hospital staffed by such consummate professionals as Barb Bituate, Old Doctor Young, Young Doctor Young, and Nurse Scratchit. "Lame jokes, puns, goofy costumes, and thin plots are the stock in trade at the Mystery Mansion," noted Barbara Yost of the Arizona Republic, adding, "Patrons can't get enough.
Like the opposite of eyelids, the curtains at Scandalesque open to a dream world of garish costumes, pyrotechnics, circus arts, and sensuality. This nexus of fantasy and real life is produced in-house and performed by Scandalesque’s troupe of professional burlesque artists. Leading them, cofounders Lady Fontayne and Pyrrha Sutra, as they're known on stage, strive to curate an atmosphere where outlandishness flashes atop proper technique and artistry. When the troupe isn’t pushing the envelope and toppling mailmen, they’re teaching burlesque, adult-dance, and fitness classes throughout the week.