Filling a chamber with music is as pleasing to the senses as filling a bathtub with warm pudding. Fully grasp this truism by checking out today's side deal: for $12, you get one ticket to one concert (a $25 value) during the Austin Chamber Music Festival, organized by the Austin Chamber Music Center. The festival's eclectic lineup of talent spans the musical divide, tickling the tonal reaches by way of piano trios, string quartets, and tango-inspired quintets. Depending on your flavor of chambered love, choose one or more of the following concerts:
Cavani String Quartet on Friday, July 16, at 7:30 p.m., Bates Recital Hall, UT Butler School of Music, 2350 Robert Dedman Drive
The Bad Plus on Saturday, July 17, at 7:30 p.m., Bates Recital Hall, UT Butler School of Music, 2350 Robert Dedman Drive
Brentano String Quartet on Sunday, July 18, at 7:30 p.m., Bates Recital Hall, UT Butler School of Music, 2350 Robert Dedman Drive
Raul Jaurena and The Texas Tango Five on Friday, July 23, at 7:30 p.m., First Unitarian Church, 4700 Grover Avenue
Claremont Piano Trio on Saturday, July 24, at 7:30 p.m., First Unitarian Church, 4700 Grover Avenue
Der Golem performed by Carpe Diem String Quartet and clarinetist Paul Green on Sunday, July 25, at 7:30 p.m., First Unitarian Church, 4700 Grover Avenue
Escher String Quartet on Friday, July 30, at 7:30 p.m., First Unitarian Church, 4700 Grover Avenue
Festival Finale with Kelly Willis on Saturday, July 31, at 7:30 p.m., Brentwood Christian School, 11908 N. Lamar Boulevard
Tickets for all performances are uniformly priced. Guests who would like to sit together are encouraged to purchase multiple Groupons under the same name.
The Austin Chamber Music Center's performances have been featured in the Austin Chronicle and on the Austin American-Statesman blog, Austin360.com. The center has won several awards, including the award for Best Chamber Performance at the 2007–2008 Austin Critics' Table Awards.
After radiating do-re-mis through Carnegie Hall and China's 2010 World Expo, the Austin Civic Chorus of Chorus Austin embarks upon its 47th year of harmonious belting, energized by a placing among 10 finalists nationwide for the prestigious American Prize in 2011. To kick off the new season, the choir sings the poignant notes of Rossini's “Petite Messe Solennelle,” an 1863 composition that the composer dubbed, “the last of my sins of old age” in reference to his penchant for plagiarizing songbirds. As music director Ryan Heller conducts the tapestry of 130 voices with an experienced ear, two pianos and a harmonium hum along to the beat. Four soloists stand to flex their professional pipes and singing biceps, including soprano Mele Dailey, mezzo Kathryn Findlen, tenor Nicholas Simpson, and bass Bruce Cain.
Founded by cellist Kenneth Freudigman and violist Emily Watkins Freudigman in 2004, Camerata San Antonio brings together a symphonic roster composed of several of the San Antonio Symphony's principal players and more than a few internationally recognized musicians. More than a dozen acclaimed artists might be on-call for a concert during any given season, and the entourage's diverse concert schedule consequently offers plenty of strikingly different small-ensemble performances.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Although symphonic concerts could be heard in San Antonio all the way back in the 1880s, the formation of the San Antonio Symphony—the city's first formal orchestra—didn't happen until 1939. It was then that Max Reiter, a native of Italy, was forced from his career and home by a freshly established anti-Semitic policy. Reiter boarded a ship for New York, found the city teeming with exiled musicians like himself, and therefore purchased a train ticket to the South. There, San Antonio's leaders invited Reiter to conduct a demonstration concert for a crowd of 2,500. The success of that initial impression led to the formal founding of the Symphony and an inaugural concert just five months later. Today, Sebastian Lang-Lessing stands where Reiter once stood, leading a full ensemble of 75 musicians with a baton hand honed across the globe.
There are six orchestras in YOSA's orchestra program: the YOSA Prelude Strings, Capriccio Stings, Sinfonietta Strings, Symphony, Philharmonic, and Flute Choir. Although the Philharmonic draws in the most talented students in the region for professional-level concerts, all the orchestras guide students toward an enriched understanding of the world and the music within it. Together, they benefit more than 1,500 young people in the region—through direct involvement with the orchestra and through offshoot programs such as the free after-school instruction sessions on the west side.