Towson Dance Studio has bedecked barren boogie floors with lively dance classes for beginners and twinkle-towed pros since 1961. During the course of four one-hour lessons, aspiring Astaires can trot the basics with a significant other or light-footed friend, maneuvering their way through ballroom, Latin, and swing dances sure to rejuvenate ailing weddings, parties, and Lionel Richie's now-deserted ceiling. Owner John L. Pattillo infuses his instructors with an emphasis on the craft's key elements—music, character, hold, and balance—ensuring that each gracefully permeates a muscle's memory while gently abolishing aching reminiscences of bygone sleep spasms. Check out the schedule for upcoming class dates and times.
Atlantic Ballroom's esteemed faculty of trophy-touting toe tappers serve casual and competitive cavorters of all ages and backgrounds. Aspiring Astaires can trip their way through several styles, including Latin, American Smooth and Rhythm, and club-ready dances such as salsa, the hustle, and the awkward head-nod. Group classes are held once a week over the course of a month. Unlike TV crime dramas, each week builds upon the last, with every measured step nudging its way into malleable muscle memories that eagerly anticipate the next installment. Consult the schedule for class times.
Strand Theater Company presents original, evocative plays with an emphasis on providing women opportunities for roles as actors, directors, playwrights, and set designers. Strand's upcoming 2010–11 season kicks off with the critically acclaimed The Glory of Living (October 7–23), which relates Rebecca Gilman's visceral and complex story of a 16-year-old girl married to an ex-convict twice her age. When the holiday season arrives and families start glazing their mistletoe with a mixture of eggnog and ham essence, you can get in the spirit with A Peppermint Patty Christmas (December 2–18), which portrays a character vowing to speak the truth when she heads home for the holidays. A dramatic adaptation of Joan Didion's The Year of Magical Thinking (February 3–19) is a compelling one-woman play, written after the loss of Didion's husband and daughter. The season wraps up with the socially minded One Flea Spare (April 21–May 7), Naomi Wallace's sharp play based in seventeenth-century England and called "one of the finest works of dramatic literature" by playwright Tony Kushner.
In keeping with Everyman's tradition of ending a season with a contemporary play that deals with modern issues, David Harrower's Blackbird is a drama that premiered in 2005 and in 2007 won Britain's highest award for a new play, the Laurence Olivier Award for Best New Play. Derek Goldman directs Everyman's production, starring resident company-member Megan Anderson and David Parkes, in his first Everyman performance. The 90-minute play shows the gripping encounter between an older Ray and younger Luna, and the effects of their taboo relationship as it unfolds at Ray's office. There is no intermission.
The thespians and theater crew at Fells Point Corner Theatre have enchanted audiences with nonprofit productions of new and rarely seen plays for 25 years. Upcoming attractions include Edward Albee’s Three Tall Women, the 1994 Pulitzer Prize winner about three differently aged women who reflect on their lives with acerbic wit while scaling skyscrapers; and The Little Dog Laughed, a look at gossip and celebrity in the 21st century. Colorful characters populate Circle Mirror Transformation, a comedy detailing a motley crew’s attempt at bonding during a six-week acting class; Eugene O’Neill’s iconic play The Iceman Cometh explores universal social questions in the back room of a 1912 skid-row saloon. Though seating at the 85-seat Fells Point Corner Theatre is subject to availability, the small size of the theater allows for good sight lines from all seats.
Erica Saben's passions have taken her near and far. She studied dance, political science, and Caribbean culture in Kingston, Jamaica, before returning to the United States to perform with several multicultural companies. A juggling gig in Philadelphia introduced her to two local circus experts who knew the director of Philadelphia School of Circus Arts. From this chance meeting blossomed a new chapter in her life: in addition to teaching her her big-top skills such as aerials and tightwire, they introduced her to Chinese acrobat Lin Junming, who would become her resident acrobatics coach when she founded Charm City Movement Arts.
Nestled between Canton and Brewer's Hill, the studio and performance space lets children and adults live the lives of professional circus performers without having to sneak into a tent disguised as a barrel of clown feed. Each instructor boasts experience in diverse movement backgrounds: Lin is also a member of the Fujian Acrobatics Troupe of China, and managing director Paco Fish has taken home awards in several Southern burlesque competitions. Other instructors draw from backgrounds in rock climbing, slacklining, acrobatics, and aerial work. Using this range of skills, they teach students the basics of Western and Chinese acrobatics, Broadway tap-dancing, modern dance, juggling, unicycling, and blends of clowning and burlesque. When not in class, staffers and students also hone their own chops as performers in seasonal dance and circus shows.