Screen acting takes center stage at The Actors Room. Founder Steve Lowe—who won an award for his short film Crash—calls upon more than 20 years of experience in film and TV to guide his students through their journeys to the emotional core of characters. His techniques range from basic to advanced in the areas of scene study, improvisation, natural expression, camera cheats, and monologue study.
An AT&T ad executive hangs up the phone, grabs his jacket, and heads toward the subway to Hell's Kitchen. It's the late '80s, and at the New York comedy institution The Improv, a slew of up-and-coming talent, including Jerry Seinfeld and Chris Rock, are testing jokes and honing timing. In the next few years, they'll perform on television for millions. But for now, they're changing the life of one ad executive.
The founder of LA Stand-Ups, Joe Falzarano, quit his promising advertising career because he "hated being a suit" and preferred to nurture promising young comedians. With accomplishments that include producing the CableACE Award–winning Caroline's Comedy Hour for A&E, Falzarano helped launch the performing and writing careers of entertainers including Jon Stewart and Louis C.K. Today, Falzarano imparts his more than 20 years of industry experience to aspiring joke-tellers, teaching them tactics for perfecting a punch line, calming nerves, and subduing hecklers with a marshmallow gun. Falzarano maintains a supportive atmosphere where students learn how to use who they are to connect with an audience, and even lets students try out material at the Hollywood Improv.
Hothouse Studios… “Where Music Grows” is centrally located in Santa Fe Springs, 20 minutes from Los Angeles, Orange County and the Inland Empire.
We feature a professional and comfortable atmosphere with clean studios, ranging in size and price.
Greg Dean, author of Step by Step to Stand-Up Comedy and an instructor since 1982, mentors groups of hopeful humorists as they glean tips on effectively busting guts in four-hour workshops. During the Introduction to Stand-Up Comedy course, which accommodates up to 25 people, participants learn the basic architecture of jokes—from setup to punch line—and how to write funny premises. Greg also guides beginners to overcoming stage fright and developing their own comedic voices, instead of mimicking the styles of famous comedians like Jerry Seinfeld or Ellen DeGeneres. Apprentices will discover ways to riff and interact effortlessly with audiences, which can improve overall public speaking skills for doctors, members of the clergy, and lawyers.
All veterans of the entertainment industry, the instructors at Ovation School for the Performing Arts don't believe in just instilling acting, singing, or dancing skills into their students. Instead, they impart all three, turning students of all skill levels into triple threats of stage and screen. Designed for kids and teens aged 5–18, the nonprofit's twice-weekly sessions are divided into 45-minute blocks whose subjects include acting, singing, and dance styles such as hip-hop and tap. Ovation also hosts private lessons focused on voice, piano, and guitar.
You never know what you're going to see at an improv comedy show—and that's the beauty of it. Read on to see what you should expect at a show or class and to learn just how it is that actors can put their scenes together so fast.
Even when their characters are arguing, improv comics are working from a philosophy of trust and agreement—necessary ingredients for acting together with no script. Improv comedy encompasses a broad array of styles, with the major division between short form—quick, self-contained games—and long form—a series of multiple, interconnected scenes featuring distinct beats. Accordingly, a given performance might resemble a one-act play, a Saturday Night Live–style sketch scene, or a high-energy game show. Most rely on audience suggestions to spark the flow of fresh ideas, however, and some even weave brave audience members into the action.
Perhaps the most famous long-form style is the Harold, in which performers build continuous scenes that develop and intermingle in surprising ways. The unusual name arises from a joke, according to developer Del Close's biography, The Funniest One in the Room. As Close asked his collaborators what to call the new form, someone sarcastically yelled, "Well, Harold's a nice name." Appropriately for a form devoted to spontaneous absurdity, the name stuck.
This comic form also has roots in one of America's darkest eras: the Great Depression. While working for the Works Progress Administration, Viola Spolin needed a way to teach basic theater precepts to unschooled actors of various ages and backgrounds, so she created a series of theater games that focused on the playfulness at the heart of acting. In the 1950s, her son, Paul Sills, applied her principles at the short-lived but influential Compass Players on Chicago's South Side, and, later, at The Second City—one of the most prominent comedy companies of the 20th century, with alumni including John Belushi, Tina Fey, and Steve Carell.