9th to the Nth is the final concert in the Rhode Island Philharmonic Orchestra's 2009–2010 classical series. Led by acclaimed conductor Larry Rachleff, the longtime music director for the Rhode Island Philharmonic, the orchestra will allegro and adagio its way through the "Stairway to Heaven" of classical music—Ludwig van Beethoven's Ninth Symphony, featuring the acclaimed "Ode to Joy" choral theme and performed with the assistance of the Providence Singers. The Ninth Symphony was Beethoven's final complete symphony, and, at over an hour, it is his longest. In the 186 years since its original premiere, it has gone on to be one of the world's most recognizable non-Ohio Players pieces of music. Also appearing on the "9th to the Nth" program is Decoration Day, written by American composer Charles Ives.
New England Studio of Music founder Alisa Luciano took her first piano lesson when she was 4 years old, sparking a lifelong love of music. She would go on to study under numerous pianists, including Svetozar Ivanov, before getting her master's degree in teaching. Since 2003, she's been teaching students as young as 4 years old themselves, passing on her life's work to those of all ages. In addition to piano, the studio offers lessons for voice, brass, strings, guitar, and woodwinds.
To travel the world, Rhode Islanders need only go as far as The Rhody Center for World Music and Dance. Here, teachers and students alike help preserve the traditional arts of far-flung and local cultures alike. Artists undulate in belly-dance classes, issue bluesy warbles in Singing Sirens, and drum like members of the Ghanese Ga in West African ensemble at this multifaceted arts academy.
When Maggie Carchrie voyaged to Cape Breton Island in Nova Scotia, she hardly expected to discover a passion that would win her the U.S. Mòd Women's Championship in Gaelic Singing two years later. She was immediately enchanted by the traditional music of the region, planning her future travels around the areas of Cape Breton and Scotland and diving headfirst into the Celtic culture. With a college degree in music therapy and a resume that boasts subsequent studies at the Ceòlas Music School, she built a foundation for a life filled with award-winning Celtic performance and education. She lays claim to two albums, books several East Coast showcases throughout the year, and furthers the reach of Celtic stylings through the concerts and CDs of Mermaid Productions.
Maggie draws from all of these experiences to act as director of the Callanish School of Celtic Arts. There, she instructs students of all ages in music, dance, and lyrical language, managing a non-competitive venue for guests to experiment with age-old harmonies and master a brogue without having to install a second tongue. From the high-stepping choreography of Scottish Highland Dance to the signature keening of the bagpipe, she outlines several levels of melodic techniques, all of which are steeped in rich history.
Striding confidently onto the stage, a pintsize foursome breaks into a pitch-perfect rendition of The Beatles' "I Want to Hold Your Hand." At Corner Music's School 4 Rock summer camps, it only takes one week for instructors to ready such students for their moments in the spotlight. Each session, based around a different musical theme, includes rehearsal time and CD-recording sessions before culminating in a performance for family and friends.
Aside from the camps, private lessons improve kids', teens', and adults' skills on instruments from the banjo to the sax. At Corner Music's retail shop, students can rent a guitar or bass guitar for practicing, buy a Fender of their own, or accrue gear, including sheet music, strings, reeds, and tuners.
As a graduate of the New England Conservatory of Music and a 12-year veteran performer and teacher, Nate Wilson is equipped to impart his mastery of the keys to students of all ages and skill levels. Though his master’s degree is in jazz performance, Nate is well versed in the classical and Suzuki methods, as well as rock piano. Other possible topics include improvisation, songwriting, music theory, and the proper technique for deadlifting and smashing a piano after a scorching solo.