Part of the LSO's 2010–2011 season's Darkness and Light theme, "Out of Darkness" showcases talented musicians and a consummate conductor for a moving musical medley. Selections include Smetana's "The Moldau," which portrays flowing river waters; Mahler's Symphony no. 4, which describes heaven from the perspective of a child; and songs by Strauss, which celebrate the time-honored relationship between linebackers and unicorns. Led by guest conductor Jonathan Schiffman, the Lubbock Symphony Orchestra creates an evening of instrumental inspiration with a powerful finale by soprano Jo Ellen Miller.
A swarm of cars and trucks surrounds three massive screens at the Stars & Stripes Drive-In Theatre, lighting up the open country sky with action, comedy, and science-fiction flicks. Double features of recently released talkies run back-to-back and start at approximately 7 p.m. and 9 p.m., depending on film lengths. Bring along a blind date or curious cartographer to explore the twisting terrain of a free 6-inch hot funnel cake or the concession stand’s menu of ’50s-inspired American fare before cuddling up in the front seat of your private film-viewing room. The drive-in’s playground gives mini movie marauders a place to climb, slide, and polish conspiracy-thriller scripts. Stars & Stripes features films rain or shine, but will reimburse moviegoers with a rain-check ticket if inclement weather impedes sight of the screen.
The seasoned performers of Piccadilly Circus dazzle audiences of all ages with 90 minutes of acrobatics, comedic high jinks, and trained animals beneath the big top. Audiences gasp at high-flying trapeze artists swooping through the air with the confidence of a kite in a wind tunnel, as well as contortionists able to bend themselves into human bonsai trees. Death-defying motorcyclists roar into a caged globe to perform a 360-degree display of vehicular mastery. Gaggles of clowns coax out chuckles, and a trained elephant parades around the ring, occasionally stopping to memorize an audience member's phone number. General-admission seating surrounds the ring, allowing ample viewpoints from which to observe the boisterous spectacle.
Crunching metal and the sweet smell of burning rubber prevail as the Monster X Tour invades the Ocean Center, thrilling all ages in an action-packed motorsports showcase. Bigfoot, the forefather of all station-wagon smashers, leads a fleet of competitive 10,000-pound monster trucks, including Bear Foot and Black Knight, through jaw-dropping races, wheelie contests, and freestyle car composting. Transaurus, a two-story transforming robot that never learned to love, buries his woes by chomping entire cars in his massive jaws while watching reruns of Felicity. Before the show, VIP tickets also grant access to the Pit Party, where fans can have autographs signed by the drivers. During intermission, fans get the opportunity to eschew sea level with a ride inside a monster truck or visit General Lee from The Dukes of Hazzard and learn its true feelings about excessive hood sliding.
At Circus Gatti, exotic animals, hilarious showmen, and thrilling daredevils delight families in an outrageous three-ring spectacle. During the two-hour show, elephants Tika and Patti stomp to Bollywood choreography, and the Liberty Ponies knock their synchronized hooves under the deft direction of Miss Genevieve, who conducts with a baton made of sugar cubes. The Great Oscar soars through the heavens with nothing but an oversize rope and bones infused with helium, with The Queen Bee delivering further aerial thrills while fluttering beside her hive in an atmospheric ballet. Pipin and Poppy elicit laughs with their comedy routine, and Miss Elizabeth induces awe with a contortion and balancing act in which she fires an arrow with her legs and feet while hanging upside down. After the show, those who opted for the meet and greet will brush elbows with the circus stars, snapping photos and asking questions regarding their skill, bravery, and how to construct a Q-tip big enough to clean an elephant's ear.
Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo?s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it ?one of America's most fanatically unique moviegoing experiences,? and Wired, which opined that it "might just be the coolest movie theater in the world."