First opening its doors in 1818, the Savannah Theatre hosts a plethora of productions upon its well-seasoned stage. June's shows include Country Star Revue, a two-hour mosey through the past half-century of country-music hits. The festive performance features the twangy tunes of Patsy Cline, Johnny Cash, Rascal Flatts, and Taylor Swift, belted out by a septet of denim-clad vocalists accompanied by a live band and a chorus of tap-dancing cowboy hats. Alternatively, audiences may take a tuneful trip in the wayback machine with The Beat Goes On. From the Age of Aquarius through the age of acid-washed jeans, this musical visits the memorable melodies from the '60s, '70s, '80s, and a few spots outside the space-time continuum. Check the schedule for performance dates and times.
It started small: in 1931, Lieutenant Commander Charles Russell Price directed a series of one-act plays at the Charleston Navy Yard. The series was an unexpected success, and a year later, his band of amateur theater-makers had evolved into an
Parked on a high ledge next to a bust of Ronald Reagan wearing a party hat, a miniature DeLorean patrols The Wormhole, a sit-down coffee shop that doles out caffeine and pop-culture kitsch in equal doses. For children of the 1980s, the cafe delivers a "wormhole" experience, surrounding them in emblems of an era: Nintendo games (available for play), ET collectibles, plush gremlins, and Star Wars doodads. The menu also smacks of the 80s, although it frequently changes to accommodate seasonal tastes. In recent times, baristas have fused espresso with cocoa puffs, and dished out donuts encrusted with Fruity Pebbles. Select beverages come with a Nilla wafer-chaser. As for edibles, Fritz Pastries supplies homemade tarts (a gourmet variation of the kind that come in silver foil) and other handheld treats.
Anyone active in Savannah’s theatre community in the 70s and 80s would likely have encountered Tom Coleman III, a director who began his career at the Savannah Young People’s Theatre. He produced and directed more than 200 shows in the ensuing 35 years, culminating in the founding of the Savannah Community Theatre. The company often produces shows by local playwrights, along with a weekly, pirate-themed murder mystery dinner show.
The consortium of professional instructors at Fred Astaire Dance Studios, which was cofounded by the legendary toe tapper himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form, using their expert eyes and mechanical dancing shoes preprogrammed to do the Charleston. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or cha-cha. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.
Five-footed lines of iambic pentameter sweep audiences away to Cleopatra’s Egyptian court, where a tragedy of love and lust decides the fates of Rome and Egypt. Actors from the College of Charleston Theatre Department weave threads of passion, power, and lamb's wool into their depictions of handsome Roman general Mark Antony and the beautiful Queen of Egypt, Cleopatra. Having neglected his soldierly duties to conduct an affair with Cleopatra, Antony faces the scorn of his triumvir Octavius Caesar and the increasing threat of a rebellion back home. The fates of two empires rest in the balance of his torn convictions, as his indecision sends Cleopatra into a jealous rage and Caesar into a frenzy of salad making. Shakespeare’s linguistic swordsmanship sharpens the poignancy of the play’s five acts, which slither along to a deadly conclusion.