The State Theatre was saved, as its website states, from "the ravages of time." Built in 1921 as a vaudeville and silent-film palace, the venue fell on hard times in the 1970s when disco balls replaced light fixtures and complex hand-slaps were substituted for tickets. In 2003, however, a $3 million renovation restored the State Theatre to much of its original glory, as crews painstakingly rehabbed the ornamental plaster and terracotta exterior. Inside the theater, a stunning chandelier sparkles more brightly than ever below the venue's signature dome.
Devoted exclusively to performing and recording new orchestral music, the Boston Modern Orchestra Project aims to rebuild the aural bridge between audiences and composers with passionate concert experiences. On January 27, BMOP showcases the works of five different composers, amassing a talented quintet of revered, modern-day soloists to mesmerize ears with incongruous sounds. The world premier of Eric Chasalow's horn concerto bares the brassy measures of French hornist Bruno Schneider, and Air: Concerto for Theremin uncannily mimics human voices with an electronic instrument that refuses to pause for breaths or answer text messages in between verses.
Music connoisseurs and building buffs regard Symphony Hall as one of the finest concert halls in the world. Sixteen replicas of Greek and Roman statues line the walls, and its airy space lends a majestic resonance to each string pluck and unexpected sneeze. Opened in 1900, Symphony Hall was the first auditorium designed in accordance with scientifically derived acoustic principle, sloping inward to help focus the sound of the orchestra's stirring string renditions.