Clouds of fog roll through darkened halls, concealing mercenaries tracking their target’s movement. Before their trap can be sprung, the unthinkable happens: their vests begin to vibrate as a giggling child yells, "Got you!"Laser Tag of Baton Rouge's family-friendly laser-tag sessions thrust players aged 7 and older into similar faux combat, peppered with flashing lights and thumping music. Players race through a 7,500-square-foot multilevel arena brandishing Gen 6 laser-tag weapons that dole out precise shots and automated score updates. Special scenarios challenge players to work cooperatively toward a shared goal; for instance, in the Fugitive mission, one or two targets must escape a group intent on their capture.
Between bouts inside the arena, players can test their gaming skills at the center's arcade, which is filled with contemporary and classic machines. Each game is outfitted with the Power Play system, a swipe-card-and-sensor combo that tracks remaining game credits, relieving players from the hassle of endlessly fishing for quarters. The arcade also leads to an observation deck that looks onto the laser-tag arena, giving spectators a giant's-eye view of the combat below.
The volunteers at Deutsches Haus have worked since 1928 to celebrate German culture and introduce locals to the country’s music, food, language, and history. The chirp of accordions and the crackle of bratwurst on a grill hint at events, including Oktoberfest and Volksfest festivals. Beers from German breweries such as Paulaner and Warsteiner run in straw-hued rivulets from mugs, and vendors dressed in dirndls and lederhosen sell traditional steins. During weekly meetings of the Schlaraffia, a jovial, international fraternity, guests belt out literary and humorous compositions to entertain one another or try to teach robots to laughs.
With its imposing, slate-gray façade, the 170-year-old U.S. Custom House may be the last building in which you’d expect to hear the delighted squeals of children. But behind the steely columns, the building erupts into 23,000 square feet of colorful displays and fluttering, scuttling insects, courtesy of the Audubon Society and Insectarium. In the Asian garden, hundreds of butterflies dodge shafts of sunlight to alight on tropical ferns and the shoulders of young visitors. And at the Insects of New Orleans gallery, visitors can ogle the pink katydids, cockroaches, and lovebugs that contribute to the city’s heritage.
These bug-filled displays are all part of the insectarium’s mission to conserve Louisiana’s indigenous species and inspire stewardship in its visitors. While adults can sate their curiosity with the vast array of exotic species, curators gear many displays toward young guests by making them lighthearted and interactive: the Field Camp’s entomologist answers questions about how to collect bugs or break up flea-circus strikes, and at Bug Appétit, chefs dole out insect-filled delicacies to adventurous palates.
Though his rhythmic past runs through hip-hop and breaking culture, Derik Dollis broke ground on Liquid Rhythm Inc. after seeing how seamlessly club styles meshed with the ballroom art of salsa. Dollis and a quintet of additional instructors schooled in dance styles such as ballet and jazz use salsa's unmistakable rhythmic structure as a loose guideline, allowing students to break from the idea that they need to master tricks to succeed. Classes encourage dancers to develop a personal style while learning posture, isolations, and body movement in tandem with adding sensual flair and the least-prickly ways of holding a rose in your mouth. The company also totes its New Orleans pride across the country to perform at national salsa congresses.:m]]
Dubbed a “powerhouse of comedy” by the Austin Chronicle, The New Movement unleashes a dizzying number of comedy shows that belie the institution’s young age. Founded in 2009 by improvisers Chris Trew and Tami Nelson, the theater and conservatory has already established itself in two cities, training fledgling performers in the art of the extemporaneous by inspiring them to take comedic risks on stage, whether it’s connecting emotionally with a character or performing actual surgery. Whether or not the performers are costumed or bearing props, they aim to create a fully realized world on stage through grounded situations and elegant but always creative transitions between scenes.