9th to the Nth is the final concert in the Rhode Island Philharmonic Orchestra's 2009–2010 classical series. Led by acclaimed conductor Larry Rachleff, the longtime music director for the Rhode Island Philharmonic, the orchestra will allegro and adagio its way through the "Stairway to Heaven" of classical music—Ludwig van Beethoven's Ninth Symphony, featuring the acclaimed "Ode to Joy" choral theme and performed with the assistance of the Providence Singers. The Ninth Symphony was Beethoven's final complete symphony, and, at over an hour, it is his longest. In the 186 years since its original premiere, it has gone on to be one of the world's most recognizable non-Ohio Players pieces of music. Also appearing on the "9th to the Nth" program is Decoration Day, written by American composer Charles Ives.
First established in 1913, the Plymouth Philharmonic Orchestra proudly embraces a storied history that saw the group blossom from a 30-piece ensemble to a professional symphony orchestra of 75 musicians. Steven Karidoyanes has marshaled this acoustical army as its music director since 1994, leading them in performances at venues across the state.
Drawing on a background that includes 27 years as a violinist with the Boston Symphony Orchestra, music director Max Hobart leads the Wellesley Symphony Orchestra through carefully curated programs with verve. The Valentine's Love Fest concert stars operatic husband-wife duo Brian Landry and contralto Ana Maria Ugarte as they essay songs from Carmen, Tosca, and Rigoletto, melting hearts and shattering brittle emotion processors with their voices' romantic resonance. The orchestra's musicians enhance the euphony with pieces by Wagner, Saint-Saëns, and Puccini. A preconcert lecture given by Wellesley Symphony Orchestra president Leslie Holmes educates listeners with info about the music and its interpreters.
Made by the famed Italian Guarneri family of luthiers in 1743, the Bonjour violin comes to life today in the hands of master violinist Vadim Repin. The Russian virtuoso coaxes heart-tugging tones from the gorgeous wooden body of the violin—whose acoustics have blossomed along with its value over the years—as well as the radio receiver inside the instrument. Praised for his "unshakable bravura" by the New York Times' Steve Smith, Repin drives the instrument with a muscular, energetic style.