Perched atop an 80-foot bluff overlooking the Tennessee River, Hunter Museum of American Art hosts collections ranging from colonial times to contemporary America. The permanent collection includes historical works by renowned painters such as Thomas Cole, Mary Cassatt, and Winslow Homer as well as contemporary pieces in less traditional mediums such as filmmaking, which artists turned to after paintbrushes went extinct. Educational programs guide visitors through these core works as well as temporary exhibits, which have included Depression-era photographs by Dorothea Lange and the sculptural installation art of Beverly Semmes.
Hunter Museum's buildings are as much a work of art as the paintings they house. An outdoor sculpture plaza and a sleek structure of steel and glass built in 2005 give the compound a contemporary edge. In contrast, the massive fireplaces and hand-carved woodwork inside the original edifice—a classical revival-style mansion built in 1904—recall the days when horses still chauffeured their owners around in Ford Model Ts.
Priscilla was born in Bristol, England in 1967. She toiled in public transportation until the 1980s, when she begrudgingly entered early retirement. She spent some of it in Liverpool, and some in Flitwick, but eventually succumbed to the promise of greener pastures in the U.S.—she moved to Kansas in 1993, and eventually settled in Tennessee.
Priscilla is the double-decker bus that Rufus, the owner of Nashville Double Decker, loads up with guests before touring the city. The idea for a bus-tour company came to him before his second deployment with the Tennessee Army National Guard on a visit to Nashville. He took a trolley tour that left him disappointed. The tour didn’t cross any of the city’s bridges, and he couldn’t enjoy some of Nashville’s best views thanks to the trolley’s closed top. So while Rufus was still overseas, he convinced a friend to drive Priscilla across the country from Washington, and now she shows guests the sites around Nashville.