High Desert Gallery, The Art & Soul of Central Oregon™ is an award winning fine art and custom picture framing gallery with retail gallery locations in downtown Bend, and Sisters Oregon. High Desert Frameworks!, the award-winning framing studio for the gallery, is located at 61 NW Oregon Avenue, Bend Oregon. 866-549-6250
Owned and operated by glass artists and collaborators Alejandro Hernandez and Ciara Cuddihy, Studio West houses a gallery of fine paintings and glasswork attached to a full glassblowing studio. The cream walls and bright lights of the gallery give way to the industrial metal and stony tile of the workshop, where artisans can be seen retrieving white-hot gobs of glass from the furnaces. These mounds of molten potential are regularly rolled and shaped into handmade trinkets and vases, which can be immediately smashed and melted, completing their life cycle. Visitors can experience the process for themselves during workshops, where they receive hands-on training from the glassworkers in how to bend the superheated silica to their will.
Samuel Hill was undoubtedly a visionary in his own right, but having friends in high places didn't hurt him any. In 1907 he purchased 5,300 acres along the Columbia River to establish a Quaker farming community and found the Maryhill Land Company, named after his daughter. Seven years later he set to work building a mansion on the hill overlooking the river. But then his company folded and the mansion was without purpose. Enter friend number one: Parisian dance pioneer Loïe Fuller. She advised him to transform the cavernous building into an art museum. Throughout the next several years, he filled its halls with pieces from around the world, supplemented by works from Loïe's artist friends—including Auguste Rodin. And to further demonstrate his web of camaraderie, another friend of Hill's, Queen Marie of Romania, contributed Orthodox art and icons from her homeland. In 1926, the Queen dedicated the mansion as the Maryhill Museum of Art to a crowd of more than 2,000 onlookers.
And yet the museum wasn't finished. When Hill died in 1931, the museum's board of trustees stepped in to helm the completion of the project. On May 13, 1940, on what would've been Hill's 83rd birthday, they opened the museum to the public. In the years immediately following, Hill collaborator and arts patron Alma de Bretteville Spreckels fortified the museum's already-impressive collection with works of art loaned and gifted from her own home.
Today Maryhill overlooks the same vista, plus a sculpture garden, displaying its diverse collection of art from around the world. In addition to 80 original pieces by Rodin, including The Thinker, paintings by other European and American artists, and the Théâtre de la Mode French fashion exhibition, the museum's halls display Native American works from prehistoric times to the modern age. It also caters to younger minds with an activity room filled with games and child-friendly activity guides that make art accessible to kids so that parents don't have to carve Starry Night into their grilled cheese sandwiches.
With nearly 30 years of experience teaching gymnastics, owner and director Naja Rossoff and her staff of kid-minded professionals train children of all ages and skill levels. They start with tykes as young as 15 months old, letting them explore movement with the help of a parent or imaginary legal guardian. They keep developing skills in older kids with advanced classes and a trampoline-and-power-tumbling team. Otherwise, during circus-arts classes, they'll help students master the trapeze, tiptoe across tightropes, and learn of the ins and outs of circus performance.
Bounce Gymnastics also hosts open gyms so that kids can have their run of the facility's balance beams, nine trampolines, and padded floors. During birthday parties, the facility also opens up obstacle courses and organizes group games.
Every year, revelers gather in the forest of the Pacific Northwest to "experience the magic of the realm." Faerieworlds brings together music acts from around the globe, including celtic rock bands, folks trios, didgeridoo prodigies, ghost cellists, and more ethereal artists. Under bright lights and twinkling stars, audiences shed their inhibitions to dance, commune, eat, drink, and find new friends during the three-day celebration.
Faerieworlds, a soft footprint event, reduces its impact on the physical world by using environmentally-sound practices and encouraging audiences to do the same. Organic and vegetarian food vendors fill the bellies of hungry guests. Afterwards, they can employ the onsite glass, paper, and plastic recycling programs. A rideshare program helps save gas, and 100% green electrical power reduces the footprint more effectively than building a massive megaphone in front of every stage.